entries Tagged as [logo design]

Clients know shit

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As a side project, Irish graphic designers Mark Shanley and Paddy Treacy turned a bunch of client feedback (the bad kind) into a series of posters. They then put them up for sale and ended raising a bunch of money for charity.

Pictured, a few. More here.

Of course, the goal is always to work with clients that know shit. And are willing to go thru a creative process that leads to the best work imaginable. This usually involves understanding that good logos typically involve letterforms (I’ve heard poster #1 before).

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JCPamerica

“Every initiative we pursue,’ starting February 1, reads the press release, ‘will be guided by our core value to treat customers as we would like to be treated — fair and square.”

In just under a year, JCPenney rebrands again. Out is Helvetica, in is Gotham. Also in is a whole new approach to store organization and product pricing.

Brand New article here, press release here.

Changes start tomorrow. Bold design move, bold ad campaign.

The Book of Phone

Some light reading. Graphics designed by the Saul Bass studio.

Found via Spokane7

‘Saul Bass pitches the new Bell System logo’

‘This film was made by his company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men’s and women’s uniforms.’

Complete pitch by the master. It’s everything anyone ever wanted to know about how good logos and visual identity systems work. From 1969. Historical details here.

Found via Scott Stowell

Food in Jars

I love canning stuff. And it’s getting to be the time of year to cram some stuff into bottles.

Pictured, logo design by Roger Estes for Marisa McClellan’s Food in Jars blog.

‘I survived the Rapture’

Love The Barry Gibb Talk Show.

New one aired tonite. Click to view/jump.

Barack Obama, font savvy

‘Can we add serifs to Gotham?’

One thing I like about Obama: He knows good design.

In 2008, his campaign lifted political propaganda out of the long ass slump it had been in. The fonts of choice were Eric Gill’s Perpetua and Tobias Frere-Jones’ Gotham.

And revealed this week: 2012 graphics featuring a custom slab serif version of Gotham.

So when The President calls wanting a font change, Hoefler & Frere-Jones were ready to oblige.

Found via Hoefler & Frere-Jones

Old Penney, new logo

JCPenney last ‘officially’ updated their logotype in 1971 – changing from a custom script (seen above) to Helvetica, set clean and neat (below).


1971

And last night – in a series of Academy Awards spots – jcp unveiled its new moniker (at bottom). Red box (retained from originally, their ‘it’s all inside’ campaign), lowercase helvetica, still clean and neat.

‘The winning design was provided by Luke Langhus, a third-year graphic design student at the University of Cincinnati.’

I do like when a redesign keeps the flavor of the original – here’s the official press release. Although this update does beg a few questions:

Doesn’t this look a lot like what GAP abandoned last year? And is the connection to Target’s brand a bit too obvious? And is ‘crowd sourcing’ how they went about this?

‘Participants included the Company’s associates, several design agencies and two art schools – University of Cincinnati and Rhode Island School of Design – that collectively submitted over 200 designs for consideration.’

I hope on the labor front, logo development participants were not as crowdsourced as is becoming commonplace. And it is a risky move to go this route – some could say jcp is running with what GAP chose to reject.

Though in the end, good merch behind the logo will determine what happens next. ‘What’s inside’ is still more important than not.


2011

1964 Penneys architectural drawing found via Vintage Seattle, click image to view larger, more/jump

Neolithic Coke

3 – 5,000 year old vase, Coca-Cola logo. The work of Ai Weiwei.

Article here.

Found via Daily Serving

Brand formula


tabula rasa, 2004

The photographic work of Mladen Penev.

Simplifying packaging

‘about unnecessary items on the global brands’

Products screaming far too much for attention? Competition for shelf dominance taken to excess? Overdesigned labels that are trying too damn hard?

Antrepo breaks things down into simple. And then more simple.

More studies here.

Found via Laura Serra


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