I’ve been a fan of the design work of Mark van Bronkhorst for years – and he’s just relaunched MVB fonts and fired up a new Twitter account.
And if you signup/subscribe/givehimyouremail, you’ll get cool things showing up in your inbox which includes a free copy of MVB Embarcadero Bold (a real font, worth 79 bucks) . . .
All you have to do is go here and do what it says.
Offer ends September 15, 2010.
Found via Delve
‘Moshun’s a fairly simple design – done in just two days in Illustrator and After Effects – that happens to leap, spiral, and shimmy into place.’
Moshun (pronounced Mo-shun, of course) was created by Dutch designer Jeroen Krielaars. Article (with much more detail) here.
Experimental typeface inspired by the work of Gerrit Rietveld (1888-1964). Drawn in 1990 by Tobias Frere-Jones; now one of the co-owners of H&FJ.
I love how this face captures the orthogonals of the De Stijl movement, of which Rietveld’s famous Red Blue Chair was one of their icons.
Wish this Rietveld type were available somewhere.
Found via a book that I used to have – it vanished into a murky, dusty pile many, many years ago
‘Aubhaus is a constructivist and geometric font. Great for use as a big display font on titles and short texts. It features Latin and Non Latin Characters.’
Rodrigo Fuenzalida’s Aubhaus font. Available thru YouWorkForThem.
‘Abbot Nicolaus Telegdi purchased the Vienna Jesuit press in 1577 and started to work immediately with its own worn typefaces. His first works were publications of his own speeches.’
Amondó Szegi’s take on Telegdi’s types are a well-worn set of fonts. With some kooky dingbats.
The Caslon family took type to much bolder heights in the 19th century. And a copy of their 1841 specimen book can be perused thanks to Google Books.
Go here.
Found via I love typography
It had to do with pizza.
Font Bureau’s Nick Sherman dropped by my hotel room at TypeCon in Los Angeles. He read on Twitter that I had pizza left over – and he’s a major pizza freak.
I thought I was a pizza freak, but I don’t even come close (video below).
Nick said he was up late working on something big.
Turns out this big thing is the launch of Webtype, a collaboration between Font Bureau, Ascender Corporation, Roger Black, Petr van Blokland and DevBridge. [Read more →]
‘I’m a Sexy Font’ poster, created by Obtenebratio
Back in the early 1990s, the Carol Twombly-drawn Adobe Caslon was one of the first font packages I ever purchased.
I’ve been in love with it ever since. I use it on just about everything – including this blog’s title, my own logotype. I’m a font designer myself, but still don’t consider my own letterforms to even come close to what was accomplished with this particular interpretation of Caslon. [Read more →]
‘How much should a revival of a typeface look like the original? Well, just as with performing an old song – an analogy Matthew Carter has made – there is something you have to like in the original in order want to revive it. And you can’t depart from the original too much, or you lose the charm of the old song that appealed to you in the first place.’
Over at I love typography, a look at William Berkson’s Caslon revival – and the work involved in such an endeavor. Read more here.
Available thru The Font Bureau.
‘A revival of classic eighteenth-century type by William Caslon, featuring shorter descenders, and higher contrast giving the face a more useful, modern quality.’
I was lucky enough to see the Replay type family in production. And a got to play with some of the beta versions; used one for a fashion logo.
Stefan Hattenbach has been working on this beautiful Caslon update for a few years now. And like all his fonts, there is brilliance in the details.
Replay is available exclusively through Veer.
“Caslon’ is an example of what became known in the commercial world of the 20th century as a ‘brand’: a family name that was not only widely recognised by customers but which stood as a guarantee of long-standing integrity.’
William Caslon’s types keep making a comeback.
One of the first revivals was made in the late 1800s by Chiswick Press, London.
Full story here.
‘It was Benjamin Franklin’s favorite typeface, and the first printings of the Declaration of Independence and the U.S. Constitution were set in Caslon.’
I am a history junkie.
And I loved the scene in HBO’s John Adams miniseries when Adams disputed the accuracy of the above painting (video, below). And how Ben Franklin’s approach to French diplomacy was more . . . ardent, than formal.
(I also loved how the miniseries used titled camera angles – like the United States was founded by villains from the old Batman tee vee series)
William Caslon’s fonts were the typefaces of the American Revolution.
Here’s some great reads on early American documents – as handy PDFs.
And here’s a link to John Adams on DVD.
Student and Caslon g from my Spring typography course [artnm 303] at American River College, Sacramento.
Class starts up again this Friday August 28, 2010. Waiting list is full. Can’t teach everyone.
It’s gonna be an unavoidable ‘that teacher’s an asshole’ session.
Self portrait by Samantha Costanilla
This one is always a favorite.
‘Lyric video for Ceelo’s big, big single FU.’
Love this video, but . . . Dang!
Typos.
Found via Bwargh Von Modnar
New type concept: The ‘hy’ typographic ligature. Developed by former student Holly Rabayda-Wickland.
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