entries Tagged as [typography]

‘There’s so much wall on the floor’

London-based design student Joseph Egan with a can of paint.

Details here.

Found via Typegirl

Television is a drug

Poem by Todd Alcott, kinetic type by Beth Fulton.

Slumdog typography, Bollywood dance

Finally saw Slumdog Millionaire. Really enjoyed the (Oscar winning) Jai Ho dance number (and titles) at the end of the film.

And
Here’s the Pussycat Dolls’ version (below).

Wooooof! If fonts were dogs

So we have a miniature Künstler and a really crazy Fraktur mix.

Found via Sci-Fi Hi-Fi

Hello Brooklyn

‘Starring: Akzidenz Grotesk & Brooklyn’

Animation by Greg Solenström of Jay-Z’s Hello Brooklyn.

Found via Tipocracia

‘She don’t belong to mediocrity’

The typography sketchbooks of Marina Chaccur.

Found via Dr. Shelley

Louis in Germany

‘Ein Ausschnitt aus einem öffentlichen Konzert des King of Jazz’

The great Louis Armstrong. Concert recorded in Stuttgart, 1959.

Accented by some great title card artwork.

Found via Astrotype

fuckefghyoulmnp

The photography of Sandy Kim.

Found via Ashley Simko

From Australia: Re:collection

‘An online archive of Australian graphic design: 1960-1980.’

Blog with great finds from Oz. For more, go here.

‘I’m Comic Sans, asshole’

Great post over at McSweeney’s – written by Comic Sans. Enjoy it here.

I actually like Comic Sans. It’s not great, but I love its unintentional subversive nature. It just gets used a whole lot for really stupid stuff. By people who don’t know what they hell they’re doing. But I’d absolutely love one of my fonts to be as notorious.

OEM licensing for Chandler 42 anyone?

Also found by former student, Ai Buenafe

Zapfino: Really fast

‘Real time: 1 hour 28 minutes, footage was recorded nonstop in one sitting. I was going as fast as I could so there are some imperfections here and there.’

Student Tony Wang’s final project from my experimental typography course at The Art Institute of California Sacramento. Tony spent the past eleven weeks doing a multifaceted study of the work of Hermann Zapf.

It culminated in the above video – vector-based drawings/tracings of Zapfino caps.

Each drawing was hand rendered (no live trace) in Adobe Illustrator. (For my beginning courses, students have to draft letterforms by hand with pencil/compass. Tony’s beautifully realized final is the next logical step in the process.)


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