entries Tagged as [typography]

Mercedes typewriter

Mercedes Schreibmaschine poster by Ernst Dryden, 1911.

Found via Divinely Elegant: The World of Ernst Dryden

Goncharova, 1913



‘She did not hesitate to break up forms and rearrange their component parts. She introduced musical notation, letters and words, as they flash past in shop signs; she expressed movement by repeating the same form in several phases of its action and velocity by blurring contours.’ –Goncharova: Stage Designs and Paintings

The work of Natalya Goncharova (1881-1962).

Godspeed: Type made from bicycle parts

Studio On Fire’s Godspeed poster, printed from bicycle parts.

Details here.

Found via Emi Senga

Letterform learning: Typography Insight

‘For his thesis, Dong Yoon Park, a Masters student at Parsons, built an iPad app designed to teach pros and novices alike the arcane world of typography.’

Details here.

Found via Taxi

Korean Convergence

‘It’s an amalgamation of ‘sign’ (Korean written language) and ‘space’: signs become spaces, and spaces become signs’

The South Korean pavilion at the Shanghai World Expo 2010. Designed by Mass Studies. More info here.

Found via Poketo

Hanksy

Spotted in Soho.

Found via According to G

Free Futura hybrid

‘joining the baroque Serif with the geometric Sans, the formal with the flourish decorative – ARS Novelty is a typeface that tries to make sense of it all’

A hybrid font designed by Angus R. Shamal. Free download here.

Futura and Cash

‘You can’t go wrong with a bit of Johnny Cash.’

Colin Evoy Sebestyen’s Futura Animated – motion-ready Futura recreated as a LiveFont. Technical details here.

Super Grotesk in Hell

Svend Smital’s Super Grotesk used on the cover of Brendan I. Koerner’s Now The Hell Will Start: One Soldier’s Flight from the Greatest Manhunt of World War II.

Found via The Book Cover Archive

Brandon Grotesque

‘My father gave me some magazines from the 1920s and 1930s’

Hannes von Döhren’s Brandon Grotesque, influenced by early geometric types – available in six weights with true italics.

One of TDC’s 2011 award winners. Available thru HvD Fonts.

Lost in type: Gill Sans

Dmitriy Antropov’s final project was a Gill Sans maze, hand crafted from foam.

After we tried to actually do the maze (and failed), Dmitriy reached down and carefully removed a small partition – near the bottom of the a – and we were able to complete.


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