entries Tagged as [fonts]

Chill


Vintage Original Joe’s ashtray, photo by mehallo

Kick back, have a Martini at Joe’s.

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Jeanne Moderno detergent

I was told when I released my Jeanne Moderno fonts, they’d probably end up being used on a cereal box.

Instead, I’ll settle for this cool laundry detergent box designed by Bootleg.

Jeanne Moderno type samples

. . .  And when MyFonts did a write up of my Jeanne Moderno fonts for their Rising Stars newsletter – they spent some time digging thru so they could show some of my telescoping ascenders, alternates and ligatures (above). I like to hide things in my fonts, fill the blank slots as it were.

(Below) Psy/Ops new type sample for Jeanne Moderno. Psy/Ops also carries the Jeanne fonts, they did the final OpenType mastering before release (and without their support, Jeanne could possibly still be sitting in the 10 year limbo that was part of my process).

Making a type sample


The Making of a Type Sample from FontShop on Vimeo

Once a font is completed, showing the letters and glyphs in their best light is a tricky exercise. FontShop does it right and in this video shows some of the decisions made when creating a good type sample – in this case, the sample for Matthew Carter’s beautiful Miller typefaces, which I used for The Sacramento Union Magazine.

In the 1800s, type foundries used to set their samples in Latin – following the belief that our alphabet looks best in its original language. Marcus Tullius Cicero’s first speech against Lucius Sergius Catilina (below) was popular for samples.

Today, graphic designers use Lorem Ipsum for placeholder text.


Robert Thorne’s Fat-Face type sample, 1821

Fountain presents: Heroine fonts

Eleisha Pechey’s Windsor typeface (1905) is one of my funky favorites. There’s a hint of it in Jeanne Moderno (believe it or not; even moreso in my upcoming text versions), Woody Allen loves it for titles and Sacramento’s Golden 1 Credit Union uses it for a distinct yellow logo.

Today, Fountain Type releases Göran Söderström’s Heroine, a ‘modern interpretation of this rusty pearl is something that always have been missing in the major type libraries.’

More details here.

Baskerville: The Animated Movie

John Baskerville (1706-1775) was an incredible type designer. His work holds up very well today. He reinvented printing and his ink was beyond compare. And, unfortunately, he was hated by his contemporaries. His type was seen to ‘hurt the eye’ and would be ‘responsible for blinding the nation.’

‘Baskerville the Animated Movie celebrates John Baskerville, the man, the typeface and his future legacy.’

For more about this short film, drop by The Baskerville Project website.

For more detail about John Baskerville and other famous type luminaries, snag a copy of Type: The Secret History of Letters and start reading.

It’s not all about fonts


Shirley-Ann Dick’s There’s more to life than Helvetica tee

Designed in under 10 minutes.

Found via Whitezine

Type mistakes you may be making


Fonts can’t handle being stretched, they end up looking awkward/slows down reading

Fonts require a lot of massaging in order for them to work for you. Here’s a list of some fairly common mistakes – posted over at The Design Cubicle.

Helvetica bash


H (helvetica) from filnug on Vimeo

Found via i love typography

WPA Gothic font – free download

Introducing Stephen Coles’ new Fontstruct: WPA Gothic. Based on the posters of the Works Progress Administration.

Click here for free download and more info.

For more about Fontstruct, go here.

And here’s some highlights from the Library of Congress’ WPA collection  . . .

Project Rhythm: featuring Jeanne Moderno

My Jeanne Moderno fonts were spotted on this poster for  . . .

Project Rhythm Multimedia Screening
Friday, September 4th, 2009 at 9 p.m.

At Parlare Euro Lounge, 1009 10th Street (10th & K), Sacramento, CA 95814 [map]

Project Rhythm Multimedia Screening is produced by Dr. Ri and features artists from Dr. Ri’s Advanced Media Editing Course at the Art Institute of California-Sacramento. Also: Live Multimedia VJ: Lai Fong Saelee, original soundtrack composed and edited by Dr. Ri & TCM, Inc.


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