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Underground, Welk

‘In 1968, The Velvet Underground finally found a large, mainstream audience during a performance on the Lawrence Welk Show’

My parents were just the right age to LOVE Lawrence Welk.

When I was really, really young, they even took me to a concert. While his band was playing, he came over and talked to us.

I was still just young enough to be really cute. So I had to ask him, ‘How come you can’t count past two?’ (which is a joke only a diehard Welk fan would get). He laughed.

Saturday night was Welk night. Early Saturday night, not too late. It still is.

Lawrence Welk was sponsored by the always present, always hyped Geritol. Which I grew up thinking was THE wonder drug that could solve all problems and cure all.

Found via Robynne Raye

Preston, Humperdinck, Jones

Banter. German translation of banter. Tight pants. Muttonchops.

Wow.

Round in Circles

5th Beatle Billy Preston.

Man caves!

‘I like the warm glow from the perfect level of indirect, low lighting. I want to be surrounded by my favorite things to look at. And I long for seating that you just melt into and disappear in.’

The week is over, head back to the Man Cave.

Slather on some Man Dom and let the night do its thang.


Teddy Pendergrass: Come Go With Me

Caves found via The Selvedge Yard

Vintage Hanes

Unopened stock from a long-ago closed department store.

Shirt and underwear, but no pants.

Who needs pants anyway?

Clairol True-To-Light VII

Control panel from my mother’s Clairol ‘True-To-Light’ makeup mirror.

Still in daily use after all these years. Here’s the original, original commercial.

Head Like a Kite redux

From my intermediate typography course: Student Allie Olcese’s experimental redesign of CD packaging for Head Like a Kite’s Random Portraits of the Home Movie.

Interpretative imagery veers from found photography, illustration, finger paints to hypodermic needles, gummy worms and tin foil – rendered in subdued, faded colors.

The final piece is housed in a wire-bound album, accented with carefully set 1970s-style shareware type.

Chandler in Oz

‘inspiring homes with heart’

Magazines are great sources for inspiration. Not as permanent as a logo – or brand – periodicals have a timer on them. After a few months, they’re gone.

A good newsstand is a treasure trove of the experimental, conservative, international, concise, good, bad, ugly. I drop by whatever I can find – even the Barney Noble chain if one is not nearby – just for a shot in the arm.

Earlier this year I spotted Chandler 42 being used in an Australian interiors pub. Alexendria-based Inside Out is using my typewriter type as a nice accent throughout their pages.

Here’s a few snaps (taken in my new home office – sleepy dog in background).

Royal Futura

‘the most modern, complete and efficient portable typewriter in the world’

1955 Royal ‘Futura’ portable typewriter. Available here.

Pink Royal

1956 Royal electric typewriter, Westinghouse motor. Wiki history here.

Found via Katnip

Blue IBM

1952 IBM electric typewriter. History here.

Found via Jon Williamson


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