I teach an experimental typography course at Ai Sacramento. And this past quarter, student Joyce Tabujara ventured into song.
For her final project, she wrote and preformed This Is To Mister Bell (above) – a tribute to typographer John Bell (1745-1831) and his types.
Below, a few of her studies.
It started with the advice: ‘You have to go back to the broad edge pen. It’s all there.’
Brilliant calligrapher Arthur Baker gave me direction when I first set up my beginning typography course. And I’m still using the same approach today. [Read more →]
‘Legend has it that Helvetica came in and vanquished the competition. Paul Shaw shows that it didn’t happen that way’
In his new book, Helvetica and the New York City Subway System: The True (Maybe) Story, designer and historian Paul Shaw (below) takes a look at some Swiss type and the trains of the MTA.
Pre-order your copy here (book drops March 11, 2011). Official site here. Idsgn interview with Shaw here.
Found via Delve Withrington
‘white paint, reinterpretation and raw materials’
(Untitled) fragrance by Martin Margiela. Package design by Fabien Baron.
Found via Nina Stössinger
I love Italian Vogue.
The mix of refined typography with sumptuous photography always blows me away.
The latest (above) features newcomer Arizona Muse with Freja Beha Erichson, shot by Steven Meisel. Article here.
Below: A cover gallery in video form. More covers here.
Found via Nick Verreos
Handlettering for Ballade en France compilation album by Maricor Maricar.
The album features Carla Bruni’s L’Amoureuse. Video below.
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