entries Tagged as [fonts]

Dürer style

Sort of a 16th century fashion magazine spread.

Used as a promo piece for my Jeanne Moderno fonts. Available as a print or on a greeting card/notecard/postcard.

Symbiosis: E-Coli font

‘the font changes shape and colors as it breeds and dies’

Jelte van Abbema’s award-winning bacteria font, Symbiosis. Details here.

Found via Twitter.com/rogerioabreu

Free caps font, it’s Blasphemy!

Just in time for Halloween!

Blasphemy Initials from Delve Fonts is GREAT for titles, drop caps, frightening timid people, crucifictions, things like that. The thorny letters are carefully proportioned and based on classical form.

To snag your own, simply GO HERE and do what you’re told.

LAIKA: Interactive typography from Switzerland


LAIKA from Michael Flückiger on Vimeo

Traditional fonts are static. For their bachelor thesis, Michael Flückiger and Nicholas Kunz created a dynamic typeface called LAIKA.

LAIKA isn’t static. Style, weight, size, kerning and other properties can be adjusted on the fly using a control panel, as seen in the video. LAIKA can also respond to outside stimuli, such as people.

To test drive/interact with LAIKA, go here.


Interactive online interface for LAIKA

Found via Twitter.com/frank000

Helvetica vs. Arial: Game

This has been a favorite for awhile. Premise: You’re time-honored Helvetica and you get to beat the crap out of sneaky Arial. Unless Arial gets to you first.

Go here.

And call me crazy, but this game seems to go a bit faster these days. That bastard Arial has gotten even more aggressive!

Helvetica vs. Arial: Identification

Take the quiz.

It ain’t easy. I actually got 19/20 and I supposedly know what I’m doing.

Helvetica-themed interfaces: clean, neat

Sick of overdesigned interfaces? Go Swiss!

Emily Chang does a roundup of Helvetwitter, Helvetical and more.

Swiss interpretations

A bunch of Helvetica posters here.

Wood type

Experimental final project from my beginning typography course. Carved by student Rikki Morehouse.


First print  . . .


Offset print made from first print

Alta California: Named after a newspaper


Alta California office, San Francisco 1851; found via Flickr

At one point in my life, I was going to be a journalist. So folly along  . . . .

I love history, so every one of my fonts falls into some historical category (or categories, if you look at Jeanne Moderno).

Alta California is my artist’s response to Susan Kare’s early Macintosh font, San Francisco. And it was a tricky build, as I was literally going thru book after book after book of old types – then messing them up, then messing them up more; and redrawing the edges until I had what I wanted.

(Please note, when it comes to ‘grunge typography’ – I don’t trust anything automatic; I’ve always gone in and tweaked the edges until I have something that looks – printed. Printed poorly, but printed.) [Read more →]

Typeface: A Documentary

‘Charting the intersection of Rural America and Contemporary Graphic Design’

The film about the Hamilton Woodtype Museum is making the rounds.

Official site here. Pictured: promo prints for the documentary.

Found via “JE NE SUIS QU’UNE PAUVRE PLUME…”


Creative Commons License

the work at the mehallo blog. beta. is licensed under a creative commons attribution - noncommercial - no derivative works 3.0 united states license.  if reposting, credit must be given to steve mehallo - and if possible, please provide a link back to the mehallo blog. beta.

i include images for the purpose of critique, review, promotion and inspiration - and always make my best effort give credit/link back to the original source.  if i’ve screwed up, please fire me a note.

page layout based on the wordpress 'darkwater theme' by antbag, adapted and redesigned by mehallo.  valuable php assistance from bill mead.