entries Tagged as [Swiss International Style]

Graphic design: Training one’s eye


Still from Ingre Druckrey: Teaching to See

As an educator, I’ve broken graphic design into three components: Message, Typography, Layout.

I’m not the first educator to do this – just happened to constantly notice these three elements staring back at me in all the student pieces I evaluate. In my opinion, careful appreciation, understanding and implementation of the three can lead to beautiful work.

message
Graphic design is a communication field, so Message should always drive the project. Today we are bombarded by thousands of Messages on a daily basis, so being on Message is critical. And yes, this usually involves language and writing – which is why I love when students take their written studies seriously.

typography
I’ve seen an (often not cited/supported) statistic that graphic design is 95% typography. Scientific or not, I agree with this. Type is important. I like comparing the exploration of lettering to that of music – there’s enough complexity for it to become a lifetime endeavor. And most of what I teach is type, from multiple angles.

form
Graphic designers are taught to use grids for layout – though relying on ‘grid’ as a catch all way of handling form can be misleading. Grids provide support, a fallback position for dealing with massive amounts of information. Though important, grids have their limitations. Building structure using symmetry, asymmetry, balance, color – some elements obvious, some not – involves continuous practice, a trained eye, instinct.

These three are not formulas, can’t be added together. They need to work in tandem, like cooking a great stew where the ingredients are based on what feels just right.


Click to view/jump

On a related note, the above film – Edward Tufte’s Ingre Druckrey: Teaching to See – found its way into my Twitter feed. It’s about graphic design and beauty. And much more.

In January I’m going to be teaching my first non-type course on Form and Space. I’m starting prep now because I consider form so important – so powerful, so delicate.

And beautiful when done right.

Video found via ayana baltrip

Helvetica glasses

Reading glass case with outlined Helvetica. Genuine 1970s soft plastic.

The Book of Phone

Some light reading. Graphics designed by the Saul Bass studio.

Found via Spokane7

Pay Phoned 2

‘These things are becoming harder to find these days and I wish to have a record of their fine existence.’

Photographs from Sam Platz’s Pay Phone Tribute Album (on Facebook).

Pay Phoned 1

‘next door to Cricket’s Cafe off Auburn Blvd  . . .  in Citrus Heights, CA’

Photograph by Ian Webb.

‘Saul Bass pitches the new Bell System logo’

‘This film was made by his company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men’s and women’s uniforms.’

Complete pitch by the master. It’s everything anyone ever wanted to know about how good logos and visual identity systems work. From 1969. Historical details here.

Found via Scott Stowell

Clairol True-To-Light VII

Control panel from my mother’s Clairol ‘True-To-Light’ makeup mirror.

Still in daily use after all these years. Here’s the original, original commercial.

Muller-Brockmann

Ad for Hermes typewriters, designed by Josef Müller-Brockmann, 1950.

Müller-Brockmann video homage here.

Found via Josef Muller-Brockmann: Pioneer of Swiss Graphic Design

Querelle

‘Andy Warhol’s posters for the French film, Querelle, 1982.’

Found via Mom’s Basement

‘Diktor’

‘The ‘ella’ on Barbarella was probably suggested by Feiffer’s Passionella, a brilliant satire on the Cinderella theme and much of American culture.’

In 1966, French scifi comic Barbarella was published in a the US in a translated edition.

Minimal color, racy stories. Robot sex.

The original, a serialized comic strip, was created in 1962 by Jean-Claude Forest for V magazine. [Read more →]

Street meat

‘The sneakers, a pair of Nike Air Force Ones are called ‘Haute Charcuterie”

Meat shoes designed by Swiss design firm BlackYard, presented at Art Clash 2009. More info here.



Found via Modern Urban Style


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