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Star Trek-n-me


Star Trek poster 1966, art by James Bama

Okay, I’ll admit it. I was a trekkie from way back. Sort of lost interest along the way, but I did enjoy the new movie. Which releases in all sorts of formats this Tuesday.

The message of Star Trek is a good one, when it works. A future utopia where humans have gotten past all their petty hangups. President Obama thinks this way. It’s good thinking.

velour: fabric of the future!
Of course, the early design of the show fascinated me. The look changed after its second pilot episode – which featured cast and crew in these really nifty velour shirts (that Kirk could rip at will). I have the original publicity poster framed in my office (above). The art is by the incredible James Bama, great write up at the Drex Files.

The poster really captures the original look, which was a mix of mid-century modern, googie and space age Disney.


In the future, everyone gets a gooseneck video monitor!

It would have been fun if the new movie had the original velour shirts (above) on the bridge of the Kelvin. The U.S.S. Kelvin, at least, had Star Trek’s signature ‘ping’ noise and the lighting was a little bit like the scene from above. Those were a nice touches. [Read more →]

Project Echo: NASA’s big balls

Gargantuan satellites from the early 1960s. Details.

Plus: Wiki.

Art Deco package, radioactive condoms


Made with Radium. Increases pleasure. From 1928.

More radioactive products here. And a few here.


 


 

The Count, censored

Depero 50


Roxy, c.1930

I finally made it over to the Depero 50 exhibit at the Italian Cultural Institute in San Francisco. Discovered many of Fortunato Depero’s originals were an interesting mix of ink washes. Above is his view of NYC from 1930. When he finally visited the overgrown metropolis, it wasn’t the Futurist utopia he’d imagined. Also below, the number composition is a sketch for a series of Futurist pillows.

A great exhibition catalog can be had for only 20 bucks – and thanks to the docents for all their help. Show details.

Exhibition ends December 4, 2009.


Composizioni Numeriche, 1927


Campari, 1933


Italia – Guerra, 1916

Plus
Here’s more Depero over at designboom.

How to: Art Deco layout schematics

Found via Leslie Cabarga

Arts Décoratifs Numeralis

Art Deco-styled locker numbers. Shot these while on a break from Friday Night Typography.

Art deco motorcycle

A prototype Killinger und Freund motorcycle, built 1935 in Munich, Germany. Info here. Even more info here.

Found via Craig Maclaine

New Wave Futurist bag

Giacomo Balla (1871-1958) was one of the original Futurists. Above is his 1916 design for a Futurist handbag. And in 1986, Italian accessories manufacturer Borbonese actually interpreted/built the purse out of seude and bakelite (below).

Both will be on display as part of the exhibition Futurismi Futuristi, which opens December 15th, 2009 in Turin, Italy. Details (translated) here.

Found via ItalianFuturism.org; purse images via sfilate.it

Jack Marchment: Electroacoustic audioprose

Classical Roman poet Ovid, bauhaus tinkerer Albers, provocative Futurist Marinetti  . . . .

Right now I’m enjoying the electronic music of UK-based Jack Marchment.

Having studied literary classics, Marchment has rechanneled his academic intensity into sound. ‘The whole idea of creating a music super-rich in intertexts is really a product of that approach.’

Consequently, Albers and Marinetti tracks appear on his latest release, the multi-dimensional Who’s Afraid Of Iannis Xenakis.

Aside from ear, the album’s cover (above) caught my eye. Designed by Joanna Lowndes, Marchment admits, ‘I had given her a fairly oppressive brief (with Marinetti at its core), but she delivered a sumptuous result.’

For more, here’s a great album review. One can also snag Marchment’s albums here.

Plus,
MySpace page here. His new label is on MySpace here. Video from his previous album, Corydon and Manjrekar, is below:

Russian Futurists

The Russian Futurists are Toronto-based Matt Hart. Myspace here. Website here. Remixes here.


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