the mehallo blog. beta.

My type mug goes well with the real Pepsi that’s back in stores this month.

Get the mug here.

Tags: culinary, fonts, mehallo merchandise, typography by steve
3 comments  . . .   

Pages from Recueil d’Alphabets à Dessiner by René Henry Munsch (1951).

More here.

Found via Biggest Apple

Tags: cool finds, design history, fonts, typography by steve
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‘Vuitton Persona is an all-capital two-color custom font designed by Jean François Porchez for Louis Vuitton Malletier. Hand-painted stripes and monograms are part of the Vuitton heritage, and it was natural to apply this to new technologies.’

Exclusive typeface. Custom monograms. Details here. Official website here.

Tags: design, fashion, fonts, typography by steve
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A few fonts from the new Georgia Pro type family

Matthew Carter’s Georgia is among my favorite fonts. And recently, Georgia turned into something a bit  . . .  more.

I love that Georgia exists, or the interwebs would be Times forever (well, until WOFF kicks in) – and without Georgia, the argument that sans fonts online are more legible (which I think is hooey) sort of wins.

And if you’re reading my blog directly online (without using RSS), you’re reading Georgia. It does what I like it to do. Reads well. [Read more →]

Tags: design, fonts, typography by steve
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‘Christian Schwartz has partnered with Paul Barnes to form Commercial Type, a new type foundry based in London and New York’

Pictured – some beautiful types – Austin and Giorgio – by Christian Schwartz and Paul Barnes.

Visit the new foundry here. Click on the images for type info/jump.

Tags: cool finds, fonts, typography by steve
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Isla Waite’s extremely heavy, laser cut student final from my most recent experimental typography course. Her research subject was Erik Spiekermann.

No digitally-made drop shadows here.

Type Munching Dinos by Tiffany Valdez.

Tags: design, education, fonts, typography by steve
1 comment  . . .   

Erik Spiekermann was the guest on Design Chat last week.

Archive here. Detailed post about Spiekermann (with additional videos, links and tons more) here.

I still use his Sheep book as my intro text to the world of typography.

Tags: design, fonts, typography by steve
2 comments  . . .   

Part one

‘Fry travels across Europe to find out how Gutenberg kept his development work secret, about the role of avaricious investors and unscrupulous competitors and why Gutenberg’s approach started a cultural revolution.’

Stephen Fry loves design. That’s one of the reasons he’s really cool. [Read more →]

Tags: design, design history, education, fonts, typography by steve
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‘We’ll explore the hot button topic of web fonts; antique type and lettering of the textile trade; the typography of Disneyland; making smart fonts even smarter; the influence of Charles Eames; liquid typography; west coast ‘Cholo’ style graffiti; and so much more.’

typecon 2010: babel
Big typography conference next week in Los Angeles. Wood Type preview in Carson today. Designer talks, workshops, dealer room, font makers, stuff.

and me
I’ll be giving my first ever TypeCon talk as part of their Type & Design Education Forum. My title is Tell Lies in the Classroom and Get Away With It. It will be as weird as what I normally do in a classroom.

Promise. [Read more →]

Tags: design history, education, events, exhibitions, fonts, typography by steve
1 comment  . . .   

‘The broadside is printed on Mohawk Superfine Eggshell, White, 100t. Everyone attending TypeCon 2010 will receive a copy, courtesy of type quizmaster Allan Haley.’

A broadside tribute to ITC’s new Elegy font – printed in letterpress at Patrick Reagh Printers in Sebastopol, CA. The poster was typeset by the wonderful Ilene Striver – who’s managed to talk me into giving a presentation as part of TypeCon’s Education Forum – next Thursday. More about TypeCon in my next post.

More info about the broadsheet here.

Tags: design history, fonts, typography by steve
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Original ITC logotype handlettered by Ed Benguiat, 1970

Elegy typeface designed by Jim Wasco, 2010

“Where can I get a font of the script used for the ITC logo?’ For almost four decades, this has been one of the most frequently asked questions of ITC. The answer has always been the same: ‘You can’t. The ITC script logo is handlettering and it is not available as a font.”

Now it is. Introducing: ITC Elegy. Two years in production, Jim Wasco took apart Ed Benguiat’s original Spencerian-style script and put it back together with updated spacing and a bunch of stylistic changes.

Detailed article here.

Comparison: Elegy and the original

Found via Delve Withrington

Tags: cool finds, design history, fonts, typography by steve
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