entries Tagged as [design history]

Vintage After Six

 
Found via Martin Klasch

Selected patents 2009

‘For The New York Times Magazine’s annual ‘Year in Ideas’ issue  . . .  Paula Scher illustrated a chart of selected 2009 patents’

Chart compiled by Alexandra Horowitz and Ammon Shea. Click image for larger version/jump.

42-line Rare Book Calendar 2010

I always forget to get a calendar. And it’s already the 30th.

Here’s one: The 2010 42-line Rare Book Calendar features images from Hogarth (1753), William Blake (1793), Charles Le Brun (1806), an 1805 edition of Shakespeare and more. Info and ordering details here.

Judging books by (ugly) covers

‘Gradually, I realized that the books I had put off reading for so long all had covers that screamed: ‘Pulp me! Pulp me!”

Joe Queenan looks at Huckleberry Finn, Elijah Wood (pictured, with Courtney B. Vance), Gatsby, Doctor Faustus, Death of a Salesman – and how a BAD cover design can ruin a perfectly good book.

NYT essay here.

What to do about an ugly cover: 1. Brown bag it; 2. Reverse it; 3. Try spandex; 4. Use house paint; 5. Duct tape it; 6. Tear it off

Best album covers of the decade

Selected by the always incredible Paste Magazine. See all of em here.

Click on images for jump/description.

It’s a Wonderful Life: The typography

Over at CreativePro: Images of the type used in – and for promos – for Frank Capra’s It’s a Wonderful Life (1946).

Go here for more.

Found via Sabine Lenz

Greetings from CBS

1966 CBS on air Christmas card.

Designed by R.O. Blechman and animated by Willis Pyle. Music by Arnie Black.

Found via sfgirlbybay; bad banana blog

Brought to you by Coke

‘In perfect harmony’

Back when in the US, The Real Thing had Real Sugar in it. Coated one’s teeth like icing.

bonus!
Here’s the original I’d Like to Teach the World to Sing spot.

Brought to you by Norelco

Classic commercial, classic electric razor. No ‘gotchas,’ but razor burn that would not go away.

David Lynch’s The Alphabet, 1968

Details.

Big 40 poster

40th Anniversary Woodstock tribute poster tied to a west coast music festival.

This was a collaborative project I designed with psychedelic light show legend George Holden. His liquid light backgrounds, my illustration and lettering.


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