Tibor, trubblemaker
‘What role we are playing. Making the filthy oil company look ‘clean,’ making the car brochure higher-quality than the car, making the spaghetti sauce look like it’s been put up by grandma, making the junky condo look hip. Is all that okay, or just the level to which design and many other professions have sunk?’ –Tibor Kalman
I first discovered Tibor Kalman’s work sometime around 1990.
He was doing something that most everyday graphic designers seemed to be avoiding. Questioning things.
His adeptness at social change – being a responsible human being, helping others – happened by working within the system. First at Barnes & Noble, M&Co., then Interview, Colors magazines. And as a teacher.
Before he passed in 1999, Kalman was the facilitator of what I see as a great awakening in our industry. And those who were part of his circle – such as his wife Maira, Stefan Sagmeister, Scott Stowell, Alexander Isley – have made graphic design much more than pretty brochures and generic logotypes.
Good design for good purposes is good. Making shitheads lots of money thru questionable practices is bad. Seems simple, right?
It isn’t.
I posted this because the rest of the world is waking up just about right now. And this past week, Steven Heller wrote up a great piece on Kalman.
Pictured from top down, advertisements and promotions for NYC’s Restaurant Florent. With Alexander Isley, from 1985–88. Found via Tibor Kalman: Design and Undesign and MoMA
