Tomorrow night: Corporate Wrath


Art by Patrick Drayus

The great Jennifer Jacobsen has kept me in the loop on this: The Corporate Wrath Art and Poetry Show at the Marco Fuoco Gallery in Sacramento. The show starts at 7 tomorrow night, Saturday July 24, 2010.

Artists featured include Brianna Lea Pruett, Keely Sadira Doran, Sue Dedina, Patrick Drayus, Bari Kenned, Willie, Sir Lucy Foot, Marco Fuoco, Shaw Reed, Gene Avery and more. Spoken word, music, interactive, live art  . . . .

Info here. Facebook page here.

Corn Star

‘the stuff we’re really made of’

King Corn (2007) is a look at the very, very powerful corn industry in the United States. And how corn is in EVERYthing.

Trailer above, watch the entire film via iTunes.

Official site here. And here’s a previous post on the subject.

Found via Shandi Pierzina

Creativity decline

‘For the first time, research shows that American creativity is declining. What went wrong – and how we can fix it.’

Great article in Newsweek. Read it here.

I have my own take, which has to do with how difficult it actually is to be creative. How society does its best to discourage and strip creativity from us so we can be good worker bees. Sit down, shut up and do your job.

what is creativity
As the article mentions: ‘To be creative requires divergent thinking (generating many unique ideas) and then convergent thinking (combining those ideas into the best result).’

Today, divergent thinking is often discouraged – but if it does take place, it can be so divergent, it can’t be implemented as a convergent – or coherent – plan.

And at the college level, I’m at ground zero teaching this stuff.

Sometimes it creates wonders, sometimes it only goes halfway. Other times, it’s so frightening to attempt something new  . . .  creativity finds itself at a standstill. The work veers back into mediocrity. Because that’s safe.

Pictured above: The incredible work of Graham Roumieu, visit his portfolio site here. Twas more creative than the trite crayon flag that came with the Newsweek article. Found via swissmiss. Article found via Adam Helweh.

Why work?

‘The 40-hour workweek was born in the industrial age, when people made widgets in factories. The modern world is a much different place than the one we used to work in, and smart individuals are discovering that time doesn’t equal productivity.’ -Everett Bogue

Was in the North Bay recently and picked up a copy of the North Bay Bohemian. Great article by Leilani Clark on simplifying one’s life.

Read it here.

Resources mentioned include NEF’s 21 hours report, the books Plenitude: The New Economics of Truth Wealth by Juliet Schor, The Story of Stuff by Annie Leonard and blogs by Tammy Strobel and Everett Bogue – plus Shareable.net.

Above: Illustration by Yamauchi Kazuaki; which had nothing to do with the article, just liked it a tad better than the stock image they posted. Found via Pomegranita.

Public Gothic goes international

Antrepo‘s Public Gothic fonts are now available in 42 languages. Details here.

Home

‘Renowned French photographer Yann Arthus-Bertrand and director Luc Besson just released ‘Home’ – a documentary on climate change  . . .’ –Cult of Green

Narrated by Glen Close. Beautiful cinematography, like one of those 365 earth from above books. Shocking statistics, good solutions. Entire film available free on YouTube.

Click the above image to watch/jump.

Official website here. Watch it as a double feature with Avatar and this little ditty.

Earth update

Graphic by GraphJam.

Found via Shandi Pierzina

‘Only an expert can deal with the problem’

Laurie Anderson‘s spoken word performance on Letterman. From last Thursday.

Letterman

‘Stronger than silent e, able to leap capital T in a single bound’

Before David Letterman had a show, I used to watch Letterman.

Joan Rivers narrated the Letterman spots with Gene Wilder as the voice of the hero.

These shorts were from the original Electric Company (1972-77), which was the coolest childrens show ever. Even had Morgan Freeman, Rita Moreno, Mel Brooks and Spider-man.

And
In an odd jump back to my childhood, Libby the Kid and The Electric Company ended up influencing some of the design stuff I’ve done for Normandie.

Chevron dinos

Hm.

In the 1970s, Chevron ran animated spots highlighting our good ‘friends’ the dinosaurs whose fossils power our vehicles. Here’s an ‘alternative energy’ spot (above) from 1978.

Chevron also used to employ really tiny mechanics that could climb inside and rubberize your car (below).

And
In 1960, we used to drive around in bubble-domed spaceships (powered by Chevron Surpreme, of course):

abcdefg  . . .  vw

One more.


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