entries Tagged as [graphic design]

Alexey Brodovitch, good layout

‘There is no recipe for good layout, but what must be maintained is a feeling of change and contrast.’ –Alexey Brodovitch (1898-1971)

Photo by Man Ray, layout by Brodovitch for Harper’s Bazaar, 1934.

Dryden whisky

Canadian Club advertisement, 1928.

The work of commercial illustrator and fashion design pioneer Ernst Dryden (1887-1938).

Found via Divinely Elegant: The World of Ernst Dryden

BERN HARD Fashion in metal

‘Bernhard Fashion. This typeface was designed by Lucian Bernhard and introduced by American Typefounders in 1929.’

Found via Emily McGuiness

Alternative Organic Sauvignon Blanc

Design by The Creative Method.

Found via The Dieline

Carved BERN HARD

‘I was working on maintaining the quality of Bernhard’s handdone type while taking a new and different approach to it’

Student Lesley Gaesser’s large scale final project from my experimental type course at The Art Institute of California Sacramento.

Lesley did an 11 week study on the work of designer Lucian Bernhard (1883-1972) – which culminated in a final linocut-inspired project.

Bernard’s Antiqua type was traced onto Speedball carving blocks, cut by hand, inked and printed on large sheets of watercolor paper.

My next experimental course begins April 8.


If student hangs roughs low on the wall, one can only critique if lying on the floor; Photo by Daniel Mendez

Tschichold and Alta California

Rare Jan Tschichold book design, featuring his use of an early prototype of the Alta Calfornia font.

Cloth cover for Das lustige Buch (The Funny Book), Verlag der Bücherkreis GmbH, Berlin, 1931.

Letter March 2011

‘This is an experiment in carving one linocut letter per day in an attempt to complete an entire alphabet by March 31st. Chosen typeface: Champion Gothic by Hoefler & Frere-Jones. Lightweight was chosen based on a deep rooted affection with its ampersand.’

And so concludes Aymie Spitzer’s March of Letters. Blog here. Calendar archive here.

Found via Campbell BrownKorbel

Camphor

‘clean and cool, modern sans serif’

New from Linotype: Nick Job’s Camphor. Inspired by Edward Johnston’s type for the London Underground, Eric Gill’s Sans and the work of Adrian Frutiger.

Available here.

Butter typography 7

‘Over in Missouri USA, yellow margarine remains illegal to this day’

A look at butter over margarine – animated by Kris Cook at Outside Line for the UK Friends of Butter folk.

Butter typography 6

Set in my own Escoffier Capitaux font. Get it here.

Butter typography 5

Today, I’m wearing Butter. Photo by Holly Hadley.


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