entries Tagged as [design]

The early Batman logos

Comic book lettering artist Todd Klein takes a detailed look at the early Batman logotypes.

Part one here. Part two here.

With later Batman logo analysis here, here and here.

Bat shirt

Alexa Chung’s Bat Tunic for Madewell. Released in December.

Already sold out (tho flittering around eBay).

Metropolis reinterpreted 3

Video for Madonna’s Express Yourself. Production design by Vance Lorenzini, inspired by Metropolis. Directed by David Fincher. From 1989.

Metropolis reinterpreted 2

Metropolis poster by Pietari Posti and Underware. 6-layered silkscreen print, 2008. Run of 100.

With glow-in-the-dark lettering.

Metropolis reinterpreted 1

Posters for Metropolis by Maelle De Bernardini. From 2002.

Metropolis visuals

Cinematography for Fritz Lang’s Metropolis (1927) was inspired by Paul Citroen’s 1923 Metropolis photomontage (above).

And so was Boris Bilinsky’s poster for the film (below).

Commercial artists took some liberties with how they created visual promotion for Metropolis – redrawing or recreating the ‘maschinenmensch’ (machine-man) and the modernist cityscapes. [Read more →]

McKnight Kauffer’s Metropolis

Metropolis by E. McKnight Kauffer. Gouache on paper, 1926.

Foreshadows Depero’s compositions, such as his view of New York – and his work for Campari.

Sacramento Metropolis, detail

The Greater Sacramento Metropolis by mehallo. Graphite on marker pen paper, 2002. Prints available here.

Freedom

The work of illustrator Donna Grethen.

Moss type

The public art of Anna Garforth. More at her website.

Cutting Bembo

Student Mike Thomas went back to basics with his work for my experimental type course.

As part of an 11-week study, Mike explored types created by the originator of italics, Francesco ‘Griffo’ da Bologna (1450-1518).

Mike’s work was produced using a stack of 20 year old, aged paper – and involved media ranging from paint to ink to digital.

His final project (above) was realized by cutting Griffo’s italic directly out of pieces of lead and creating a ‘soot proof’ of the carved letters. Not quite to spec, but challenging nonetheless.


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