Oily Gaga
‘The Largest Magazine Ever Produced by Guinness World Record. No shit!’
Gaga, photographed by Inez Van Lamsweerde and Vinoodh Matadin for Visionaire 61 – the ‘Larger Than Life’ issue.
Found via art8amby
‘The Largest Magazine Ever Produced by Guinness World Record. No shit!’
Gaga, photographed by Inez Van Lamsweerde and Vinoodh Matadin for Visionaire 61 – the ‘Larger Than Life’ issue.
Found via art8amby
‘The range moniker pays homage to The Third Mind, a 1978 book and concept by William Burroughs and Brian Gysin, which showcased the ‘cut ups’ technique originating from the Surrealists – a form also adapted to film making by Kenneth Anger and Maya Deren. In this mode, unrelated texts and images where literally cut up and rearranged to form radical narratives and vistas.’
Abbey Lee Kershaw, shot by Elle Muliarchyk for ManiaMania. Info here.
Found via Fashionising

‘For a decade, Danny created art for musicians – album covers, event posters, and logos, among others. Now those artists are paying tribute to Danny with a free, downloadable 35-song album titled ‘DJG Was Here.”
Danny J. Gibson’s been a friend for years – and he’s one of the most prolific, experimental artist/designers I know. In a few days Quietly Contributing – Poster Art of DJG Design will open at the 1819 Event Space + Gallery in Kansas City.
More details here. Snag the free album here (please use the tip jar).
Article here. And visit Danny’s site here.








The work of Hannah Höch, Tailor’s Flower, 1920.
Yan Saquet: Les Djinns (Trentemøller Remix)
Found via Venetian Red
‘I am interested in the female form and the objectification and dismemberment of women. I try to make sense of this dismemberment by the very act of dismembering . . . more often than not, the artworks manifest themselves through the female gaze.’
The mixed media work of Thelma van Rensburg.

Superman, as portrayed in Mark Millar’s Red Son (2003).
Motion comic here.
Found via Raving Toy Maniac
‘A typeface designed to reflect the aesthetic qualities of Soviet Union product design and manufacture. The typeface uses a unilateral x-height, cap height and faux Cyrillic to create a blocky, angular and awkward response. To allude to the dated methods of production, I produced the entire face as printing blocks.’
Andy Barnes’ Eastern Block typeface. Website here.
Found via Arts Thread
Stefan Bürke’s Airplane Flying
Two short interpretations of the work of Suprematist Malevitch and Constructivist Lissitzky.
Jostein Finnekaasa’s Suprematism/Constructivism