entries Tagged as [typography]
1940s London in colour
‘These photographs were taken using Kodachrome film by the improbably and wonderfully named Chalmers Butterfield, probably in 1949.’
Click on the images for larger images/zoom features/jump.
DJ Munoz/London Calling: You Drive Me Crazy (Yellow Drill Remix)
Images found via Peter Serafinowicz
Barack Obama, font savvy
‘Can we add serifs to Gotham?’
One thing I like about Obama: He knows good design.
In 2008, his campaign lifted political propaganda out of the long ass slump it had been in. The fonts of choice were Eric Gill’s Perpetua and Tobias Frere-Jones’ Gotham.
And revealed this week: 2012 graphics featuring a custom slab serif version of Gotham.
So when The President calls wanting a font change, Hoefler & Frere-Jones were ready to oblige.
Found via Hoefler & Frere-Jones
Alexey Brodovitch, good layout
‘There is no recipe for good layout, but what must be maintained is a feeling of change and contrast.’ –Alexey Brodovitch (1898-1971)
Photo by Man Ray, layout by Brodovitch for Harper’s Bazaar, 1934.
Dryden whisky
Canadian Club advertisement, 1928.
The work of commercial illustrator and fashion design pioneer Ernst Dryden (1887-1938).
BERN HARD Fashion in metal
‘Bernhard Fashion. This typeface was designed by Lucian Bernhard and introduced by American Typefounders in 1929.’
Found via Emily McGuiness
Carved BERN HARD
‘I was working on maintaining the quality of Bernhard’s handdone type while taking a new and different approach to it’
Student Lesley Gaesser’s large scale final project from my experimental type course at The Art Institute of California Sacramento.
Lesley did an 11 week study on the work of designer Lucian Bernhard (1883-1972) – which culminated in a final linocut-inspired project.
Bernard’s Antiqua type was traced onto Speedball carving blocks, cut by hand, inked and printed on large sheets of watercolor paper.
My next experimental course begins April 8.
If student hangs roughs low on the wall, one can only critique if lying on the floor; Photo by Daniel Mendez
Tschichold and Alta California
Rare Jan Tschichold book design, featuring his use of an early prototype of the Alta Calfornia font.
Cloth cover for Das lustige Buch (The Funny Book), Verlag der Bücherkreis GmbH, Berlin, 1931.
handpicked posts
a piano falls in old manhattan
tetro and typography
it’s typography: film, song and dance
ghosts of gustov klimt
the great times new roman controversy
picking fonts
kapitaal
defining terms: design is not decoration
garcia's 'pure design'
'enhance that image!'
magic highway remixed
the cynic
rad anthem
Brought to you by man dom-
buy my fonts
go shopping
mehalloreads
Divinely Elegant: The World of Ernst Dryden
Jozsef Pecsi: Photo and Advertising
Color: A Natural History of the Palette
Collage: Assembling Contemporary Art
Modern Dog: 20 Years of Poster Art
Gaberbocchus Press: An Experiment in Publishing, 1948-1979
Advertising Art in the Art Deco Style
Googie Redux: Ultramodern Roadside Architecture
Hot Sour Salty Sweet: A Culinary Journey Through Southeast Asia
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