Lois Lane
Lois Lane by co-creator Joe Schuster.
Lois Lane by co-creator Joe Schuster.
Action Comics No. 1 as ‘covered’ by illustrator Tom Addison.
More comic book ‘covers’ here. The original Action No. 1, below.
‘Tells a tale of world conquest by sex, drugs and rock and roll’
Cult classic J-Men Forever! (1979) was a mainstay on the USA network’s Night Flight (titles below).
And after Night Flight went away, J-Men vanished – only quietly showing up many years later on DVD.
J-Men Forever! was the brainchild of Philip Proctor and Peter Bergman of the Firesign Theatre – using cobbled together footage from old serials to create a silly (actually, immature is the right word) new movie; similar to Woody Allen’s What’s Up Tiger Lily (1966).
The Caped Madman (above) and The evil Lightening Bug steal the show. The film’s score features music from The Tubes, Head East, Budgie and Billy Preston.
Watch it in its entirety/in sections on YouTube. Click above to jump/watch.
A couple of movies that inspired the creation of The Bat-Man (1939) and The Joker (1940).
Watch them in their entirety/in sections on YouTube. Click to jump/watch.
‘A frightening, erotic and highly emotional film with fine cinematography.’ – David Wingrove
Genetic experimentation, perversion, mythical alraune (mandrake) root legend stuff, silent German cinema.
Alraune (1928). With Metropolis’ Brigitte Helm.
Watch it in its entirety/in sections on YouTube. Click to jump/watch.
Video for Madonna’s Express Yourself. Production design by Vance Lorenzini, inspired by Metropolis. Directed by David Fincher. From 1989.
Cinematography for Fritz Lang’s Metropolis (1927) was inspired by Paul Citroen’s 1923 Metropolis photomontage (above).
And so was Boris Bilinsky’s poster for the film (below).
Commercial artists took some liberties with how they created visual promotion for Metropolis – redrawing or recreating the ‘maschinenmensch’ (machine-man) and the modernist cityscapes. [Read more →]
Metropolis by E. McKnight Kauffer. Gouache on paper, 1926.
Foreshadows Depero’s compositions, such as his view of New York – and his work for Campari.
Student Mike Thomas went back to basics with his work for my experimental type course.
As part of an 11-week study, Mike explored types created by the originator of italics, Francesco ‘Griffo’ da Bologna (1450-1518).
Mike’s work was produced using a stack of 20 year old, aged paper – and involved media ranging from paint to ink to digital.
His final project (above) was realized by cutting Griffo’s italic directly out of pieces of lead and creating a ‘soot proof’ of the carved letters. Not quite to spec, but challenging nonetheless.