Chaubin, CCCP
‘The beauty of Soviet brutalism’
Frédéric Chaubin’s photographs of 90 oddly-designed buildings constructed in the final decades of the Soviet Union.
And thru Taschen, available in handy book form.
Found via RebeccaWho
‘The beauty of Soviet brutalism’
Frédéric Chaubin’s photographs of 90 oddly-designed buildings constructed in the final decades of the Soviet Union.
And thru Taschen, available in handy book form.
Found via RebeccaWho
Sybil Andrews’ Speedway (above) is a linotype print commissioned by the London Passenger Transport Board in 1934 to advertise what was a new spectator sport, Speedway Racing.
The final piece – like the famous ‘keep calm’ poster – was never used for its intended purpose.
Found via Gunther Stephan
‘She did not hesitate to break up forms and rearrange their component parts. She introduced musical notation, letters and words, as they flash past in shop signs; she expressed movement by repeating the same form in several phases of its action and velocity by blurring contours.’ –Goncharova: Stage Designs and Paintings
The work of Natalya Goncharova (1881-1962).
‘Metzinger celebrated the salutory effects of exercise on the male population in his ‘Cyclist,’ which focused on a sport that historian Eugen Weber has described as a French creation, and one affordable to the French working class by 1900.’ –Mark Antliff, Patricia Leighten
In 1913, Jean Metzinger (1883-1956) created his Cubist Cyclist to depict audience, participant and the interaction involved.
(Been doing a lot of reading on early modern art)
‘It’s a 7-day, 545-mile bike ride from San Francisco to Los Angeles to make a world of difference in the lives of people living with HIV and AIDS.’
This weekend, designer Christopher Le is biking south in support of the San Francisco AIDS Foundation.
Donate here. Snag poster (above) for contributions of $50 or more.
‘Does the venue make the music? From outdoor drumming to Wagnerian operas to arena rock, he explores how context has pushed musical innovation’
Found via Lucy Cook
‘It’s an amalgamation of ‘sign’ (Korean written language) and ‘space’: signs become spaces, and spaces become signs’
The South Korean pavilion at the Shanghai World Expo 2010. Designed by Mass Studies. More info here.
Found via Poketo