the mehallo blog. beta.

Stefan Bürke’s Airplane Flying

Two short interpretations of the work of Suprematist Malevitch and Constructivist Lissitzky.

Jostein Finnekaasa’s Suprematism/Constructivism

Tags: design, design history by steve
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‘Suprematism, considered ‘the first systematic school of abstract painting in the modern movement,’ was developed by Kazimir Malevich in 1913 and introduced at the 1915 0-10 exhibition in St. Petersburg.’ –Alexander Boguslawski

This is my favorite Suprematist piece, Malevitch’s Sensation of Flight, c. 1914-15. Pure objects, any meaning comes from the viewer’s own interpretation.

Tags: art, design history, thoughts by steve
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‘In an extended metaphor, Manson compares his own often-criticized music to the entartete Kunst banned by the Nazi regime’

Videos for Marilyn Manson’s Mobscene and This Is The New Shit. Made in collaboration with Gottfried Helnwein. From 2003.

Tags: design history, music by steve
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‘Avant-garde German artists were now branded both enemies of the state and a threat to German culture.’

In 1937, the Nazi party hosted ‘Entartete Kunst.’ This traveling exhibition showcased modern art as the work of madmen, ‘degenerates’ out to destroy the world.

Confiscated art – works of Kirchner, Nolde, Beckmann, Ernst, Chagall, Matisse, Picasso, Van Gogh, Dali, Klee, Kandinsky, Lissitzky, Grosz and many others – filled the show. After, the pieces were either destroyed or auctioned off.

For more about Entartete Kunst, watch David Grubin’s powerful 1993 Degenerate Art documentary here. Read more here and here. The show’s exhibition catalog is posted here.

Art, ideas, original thoughts: All dangerous.

This past weekend I saw a documentary on The Inquisition. Things such as inquisitions, persecutions – Entartete Kunst, McCarthyism – cycle throughout history.

What beliefs, doctrines and laws exist today that limit freedom, individuality and progress?

Tags: art, design, design history, education, exhibitions by steve
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Ludwig Meidner, Apocalyptic Landscape, 1912

Images from the Weimar blog post ‘From Calgari to Hitler,’ named for Siegfried Kracauer’s book on German cinema (1910-40).

Jakob Steinhardt, The City, 1913

Robert Wiene, Das Kabinett des Dr. Caligari, 1919

Original sketch for a scene in The Cabinet of Dr Caligari from Lotte Eisner

Erich Godal, Die Straße (The Street), 1923

Louise Brooks in “Pandora’s Box” (G.W.Pabst, 1929)

Rudolf Klein Rogge in Lang’s The Testament of Dr. Mabuse, 1933

Otto Dix, The Actor Heinrich George, 1933

George Grosz, John, the Lady Killer, 1918

Art director Erich Kettelhut & crew create the futuristic city set of Metropolis


Raoul Hausmann, Mechanical Head (Spirit of Our Age), c. 1920

John Martin, Illustration to Paradise Lost, 1825

Magnus Zeller, The Orator, 1920

Leni Riefenstahl, Triumph of the Will, 1934

Tags: art, design, design history, photography by steve
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Yves Lecoq

Ever wonder what Germany may have looked like if the Weimar Republic kept going?

I like to think answers to this question could be found in the wonderful image sets posted over at kraftgenie’s Weimar blog. Each post is a collection of seemingly related imagery that is simply  . . .  Weimar.

Eugenio Recuenco

Yuval Yairi

Sabine Pigalle

Chantal Michel

Mikel Uribetxeberria

Bill Brandt

Madame Peripetie

Brooke Shaden

Brooke Shaden

Marilyn Minter

Inez van Lamsweerde

Tamara Lischka

***

Tags: art, design, design history, photography, thoughts by steve
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Niedermann Grotesk is my newest font and it’s been sitting in the hopper for awhile.

It became a side project that appeared while I’d been working on my update to Jeanne Moderno (which is Jeanne Texte, which has been in a little limbo due to other projects) (I plan on getting back to it next month).

Along the way I fell in love with types that were part of the German Sachplakat (object poster) style pioneered by the great Lucian Bernhard – a lot of which can be seen (as backgrounds) in their original zeitgeist settings in the 1927 Ruttmann film I posted on Sunday.

Plakat lettering was drawn as needed, typically painted. For my adaptation, I went back to brush – and included a handful of alternative characters, ligatures, plus a few dingbats.

Grab your copy here.

And  . . .  Save 31%! Niedermann Grotesk is on sale right now at MyFonts. Sale ends September 22, 2011.

Tags: design, design history, fonts, mehallo merchandise, typography by steve
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‘In her 2010 documentary about the Berlin cabaret scene of the interwar period, Fabienne Rousso-Lenoir includes archival material, excerpts from German cinema classics, rediscovered promotional and institutional films, rare modern art experiments as well as documentaries of the time – all restored in high-definition.’

Above, the first five minutes of Fabienne Rousso-Lenoir’s Cabaret-Berlin: Die wilde Bühne (The Wild Stage) 1919-33. This 2010 documentary is loaded with incredible images from an era that went away in the 1930s.

Watch the entire untranslated film here. (Note: Veoh player download required)

Tags: cool finds, design, design history, music, typography by steve
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Berlin of the 1920s was considered by many to be the cultural center of Europe; home to innovative art, music and a bawdy nightlife – all squashed when the Nazis came to power in 1933.

Above, Walther Ruttmann’s silent (add your own music) Berlin: Symphony of a Great City (1927), which ‘portrays the life of a city mainly through visual effects and music, not narrative content. The impression it conveys of daily life in Berlin is dynamic, anxiety-ridden, cacophonous – and a helluva lot of fun!’ -Jessica Glaser, MoMA

Below, visual highlights from MoMA’s recent exhibition, German Expressionism: The Graphic Impulse. Additional commentary here.

Tags: art, design, design history, typography by steve
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Back in the day, Photo-Lettering Inc. was THE resource for custom set hedline typography, odd letter distortions and other custom font creations that were made possible by the new technology of the time, phototypesetting.

Since, PLINC’s original stock has been sitting in a warehouse. Just sitting. With the elements of time eating up the original negatives.

Several years ago, House bought rights to the collection and set about building an online version of PLINC’s original services – where type is sold one custom set headline at a time. PLINC fonts – which included a lot of ligatures and alternate characters – needed a professional typesetter at the helm.

Today, after years in development, low cost custom hedline type is now available digitally at the new PLINC website. One hed at a time  . . . . [Read more →]

Tags: design, design history, fonts, typography by steve
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‘inspired by lettering on an antique perfume poster’

Ray and Chikako Larabie’s funky Honfleur font. Snag it free now, offer ends Saturday August 6, 2011.

Tags: design, design history, fashion, fonts, typography by steve
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