entries Tagged as [art]

Anchovy Sauce

Geo. Watkins’ Anchovy Sauce. Illustration by Hwa Young Jung.

Flickr here, website here.

Eye

The work of Pavel Guzenko.

Found via Tutt’ART

Salute

Found via Artsomething

‘And the rest is silence’

In-camera photograph by Ren Rox.

Found via Laura Serra

So what really happened

Change to Win’s animate of ‘The End of the American Dream?’ – done in the style of RSA Animate.

Found via Occupy San Francisco

Wall Street effigy

‘Give a Wall Street banker enough rope and he will hang himself’

The work of Miami-based street artist Above. Video by Peter Vahan and Hermes, location provided via Primary Flight and White Walls Gallery. Article here.

Oily Gaga

‘The Largest Magazine Ever Produced by Guinness World Record. No shit!’

Gaga, photographed by Inez Van Lamsweerde and Vinoodh Matadin for Visionaire 61 – the ‘Larger Than Life’ issue.

Found via art8amby

‘They’re so small they’re evading our terrible lizards’

In 1977, this poster hung on my bedroom closet door – and was eventually eaten up by use of that same door.

It came as an extra large ‘freebie’ in the Star Wars soundtrack, which I bought thinking it was this album. It wasn’t. It was the symphonic score; for me, an introduction to classical music. What I learned from the free poster – as a young impressionable creative – is abstraction, when done right, looks great.

It was painted by artist John Berkey – who used quick brush strokes that up close were a gloopy mess, but at a distance create energy and implied motion.

Berkey’s work influences me to this day.

And for my iTunes-loaded tracks of the Star Wars radio program, I’m using some of his art as my ‘album covers,’ below.

As for Star Wars’ ‘terrible lizards,’ these are them.



Poster found via KlaatuCarpenter

‘Hanging Loose’

Illustration by the great Bob Peak. From 1972.

Found via Martin Klasch

Third Mind, ManiaMania

‘The range moniker pays homage to The Third Mind, a 1978 book and concept by William Burroughs and Brian Gysin, which showcased the ‘cut ups’ technique originating from the Surrealists – a form also adapted to film making by Kenneth Anger and Maya Deren. In this mode, unrelated texts and images where literally cut up and rearranged to form radical narratives and vistas.’

Abbey Lee Kershaw, shot by Elle Muliarchyk for ManiaMania. Info here.

Found via Fashionising

DOC

The mixed media work of Danny O’Connor, a.k.a. DOC.

Found via Doug Home


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