‘Between 1939 and 1944, the OWI and the Farm Security Administration made thousands of photographs, approximately 1,600 of them in color’

Despite what my dad told me, the 1930s and 40s were actually in color.

More pics here, here, here and here.

Film for the New Zealand Book Council, produced by Colenso BBDO and animated by Andersen M Studio.

And you can snag a copy of Maurice Gee’s Going West here.

Found via Daniel Will-Harris

‘Watch the definitive documentary on the husband-wife design icons’

A new biography on Charles and Ray Eames is airing on PBS this week. Powerful and unflinching, more than just chairs. Playful optimism, powerful clients, amazing budgets, odd obsessions. Narrated by James Franco, titles feature the incredible Eames fonts.

Watch it online here.

Above, the IBM Pavilion at the 1964 Worlds Fair.

Below, Eames’ complete short film The Information Machine. Commissioned in 1958 by IBM, it was designed to get a fearful population to trust this perceived-dangerous, unknown mechanical variable: Computers!

‘The rectangles on top of each label represent main ingredients, and bars on the bottom provide a quick thumbs or thumbs down for a breakdown of fat content, carbohydrates, etc. Icons of spoons and scoops are used to supplement serving size since no one knows what 182 grams looks or feels like.’

Above, Renee Walker’s food nutrition label redesign, winner of UC Berkeley School of Journalism’s Rethink the Food Label competition.

Her work was originally part of an interdisciplinary topic studio focused on contemporary health issues; she has her original versions posted here.

Below, a few of my favorites from the competition:

Corinne Pritchard

Fabius Leineweber

Bradley Mu

Found via FlowingData

Final project from my beginning typography course at American River College: Futura Condensed Extra Bold, crafted as iced chocolate cake by student Lilie Matyuk.

Food-based type is always a tricky undertaking, but luckily we had Teresa Urkofsky teaching next door – in the culinary classroom. Teresa had recipes and techniques ready to advise.

I’ve been drawing some form of type since the 1980s. And have been teaching type for several years now.

It’s hard to ‘go digital’ when introducing typography, since letterform history goes back hundreds (and thousands) of years.

So I still use 15th century era handtools in my introductory type courses.

Good fonts still contain elements from long ago – and today, all we really do is recreate what was once done with broad pens – using digital tools.

font games!
To get a taste of how ‘us professionals’ render type these days, check out Mark MacKay’s brilliant Shape Type (pictured above) and Kern Type. Both are nutshell adaptations of today’s process – kerning being a majorly overlooked, but necessary typesetting skill.

digital type tools
Fonts today are vector-based, so a mastering the basics of Adobe Illustrator is the start.

Beyond this, there are a bunch of applications on the market for drawing fonts. FontLab is the big one, Fontographer is the old one with the easy interface – and TypeTool is a barebones student-discounted alternative. Unlike Illustrator, these font tools take into account how letters are drawn, with built ins that make it easy to adjust edges. Karen Cheng’s Designing Type is also a must resource to have.

And I do all my logo drawings directly in FontLab – after multiple sketches in pen and ink. It’s just easier that way.

Shape Type found via Mark Nutini

Change to Win’s animate of ‘The End of the American Dream?’ – done in the style of RSA Animate.

Found via Occupy San Francisco

‘What role we are playing. Making the filthy oil company look ‘clean,’ making the car brochure higher-quality than the car, making the spaghetti sauce look like it’s been put up by grandma, making the junky condo look hip. Is all that okay, or just the level to which design and many other professions have sunk?’ –Tibor Kalman

I first discovered Tibor Kalman’s work sometime around 1990.

He was doing something that most everyday graphic designers seemed to be avoiding. Questioning things.

His adeptness at social change – being a responsible human being, helping others – happened by working within the system. First at Barnes & Noble, M&Co., then Interview, Colors magazines. And as a teacher.

Before he passed in 1999, Kalman was the facilitator of what I see as a great awakening in our industry. And those who were part of his circle – such as his wife Maira, Stefan Sagmeister, Scott Stowell, Alexander Isley – have made graphic design much more than pretty brochures and generic logotypes.

Good design for good purposes is good. Making shitheads lots of money thru questionable practices is bad. Seems simple, right?

It isn’t.

I posted this because the rest of the world is waking up just about right now. And this past week, Steven Heller wrote up a great piece on Kalman.

Pictured from top down, advertisements and promotions for NYC’s Restaurant Florent. With Alexander Isley, from 1985–88. Found via Tibor Kalman: Design and Undesign and MoMA

‘Drop caps not bombs’

An anonymously-created stencil interpretation of myself – spotted last quarter on the wall at the Art Institute of California Sacramento.

(Okay, I know which student made it, but I ain’t tellin)

‘I’ve been doing posters for tons of cities across America’

In the past few weeks, one of my former students has found herself cast as the visual heart of the Occupy movement. Raina Dayne started with offering to do a poster and it’s blossomed into something much bigger.

Raina’s images can be downloaded for use at the Occupy Together website. Facebook page here, shirts here.

‘Your time is limited, so don’t waste it living someone else’s life. Don’t be trapped by dogma – which is living with the results of other people’s thinking. Don’t let the noise of others’ opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.’ –Steve Jobs

Intuition is very powerful, once one knows how to trust it. It involves turning off the insecurities of ego and concentrating on pure feeling. And it works wonders.

The news of Steve Jobs’ passing came in via social media. I saw a Facebook post right after I gave a design history lecture on early modern artists and how they’d managed to change the world.

I was fortunate enough to both go to school and work in and around Silicon Valley where Jobs’ approach reverberates and inspires. Playing it safe, following the status quo will not lead to new things, will not improve life as we know it – and Jobs knew how to get the best work out of Apple’s creative team.

He knew that details are excruciatingly important. Leveraging design, using good typography, giving us what we really want – instead of what we think we need – was all part of the package.

Thinking different makes the world a better place. That’s the legacy he leaves.

Image by Dylan Roscover, using Apple’s suite of fonts from over the years

‘handprinted and unique posters in A0 format, printed and digital invitations and adverts in various Dutch magazines   . . .   woodcut printed.’

E-flyer for Alban Schelbert and Christopher West’s End Exam Show at the Gerrit Rietveld Academie. From 2009.

Found via manystuff

‘Having many food and chemical sensitivities has been a largely trial-and-error process for what can be tolerated and what can’t, and has resulted in many creative kitchen science experiments’

Web designer/cartoonist (and former student of mine) Annie Hero has developed some major health problems. Recently, she’s taken to blogging about her approach to reclaiming her life from years of processed food intolerance.

Annie’s WTF are you eating? can be found here.

‘Spice up your design’

Hanging on the walls at Ai Sacramento: AIGA poster, designed and photographed by student Devon Cloutier.

At one point, there was a text change and in lieu of starting over, Devon fixed it – orally, swallowing a lot of the saucy rooster.

Designers do suffer for their art.

From earlier this year: Behind the scenes with third generation heiress/model/designer Margherita Missoni. Includes footage of Missoni’s famed knitting equipment and production processes.

Found via Vogue Russia

Art Nouveau meets Russian Constructivism. Motion design by Matt Duplessie.

‘A typeface designed to reflect the aesthetic qualities of Soviet Union product design and manufacture. The typeface uses a unilateral x-height, cap height and faux Cyrillic to create a blocky, angular and awkward response. To allude to the dated methods of production, I produced the entire face as printing blocks.’

Andy Barnes’ Eastern Block typeface. Website here.

Found via Arts Thread

‘Avant-garde German artists were now branded both enemies of the state and a threat to German culture.’

In 1937, the Nazi party hosted ‘Entartete Kunst.’ This traveling exhibition showcased modern art as the work of madmen, ‘degenerates’ out to destroy the world.

Confiscated art – works of Kirchner, Nolde, Beckmann, Ernst, Chagall, Matisse, Picasso, Van Gogh, Dali, Klee, Kandinsky, Lissitzky, Grosz and many others – filled the show. After, the pieces were either destroyed or auctioned off.

For more about Entartete Kunst, read here or here. Exhibition catalog here.

Art, ideas, original thoughts: All dangerous.

This past weekend I watched a documentary on The Inquisition. Things such as inquisitions, persecutions – Entartete Kunst, McCarthyism – cycle throughout history.

What beliefs, doctrines and laws exist today that limit freedom, individuality and progress?

The concept of salad dressing – oil and water – is the basis for the magic we call printing. I learned this a long time ago, in a class. Or something.

Also, years ago, learned that this stuff is pretty much one of the few things that will remove printing ink from skin.

Pictured, the typographic work of UK-based Craig Ward.

Harry Potter makeup tutorials. Drag option at bottom.

Found via Trendhunter

Above, advice from artist Tom Sachs for anyone starting work in a studio. Interns, PAs, gophers. Art, design or otherwise.

Below, Sach’s iconic Prada Toilet, Chanel accessories and the Hermés Value Meal.

‘Vorticism was a radical art movement that shone briefly but brightly in the years before and during World War I.’

A few months back, I picked up Black Sparrow Press’ reprints of Wyndham Lewis’ Vorticist journal Blast Magazine. Vorticism was the British entry into the realm of modern art.

There were only two issues – which ‘blasted’ old Edwardian forms in favor of the new machine aesthetic that was about to take over the world.

Out with the old, in with the new, as it were.

The two issues of Blast – there were only two – are available for browsing at issuu. Check them out here and here.

I see a connection between Lewis’ work and the original production design of TRON. But that may just be me.

There is also a retrospective now going on at the Tate. Video referencing the work of Vorticist practitioner Henri Gaudier-Brzeska (1891-1915), below.

‘Before there were photocopiers, scanners and printers, there was the Ditto Machine (a.k.a. spirit duplicator), produced by the Illinois-based Ditto Corporation; originally introduced in 1923.’ -mnn

Clifford the Big Red Dog was supposed to be red. But in the handout I got in kindergarten, he was purple.

So was my introduction to the Ditto Machine – a device used to replicate most of the paperwork I’d used in elementary school.

Some of my earliest experiences as a ‘graphics’ guy was playing with one of these machines – seeing what it could reproduce and what it couldn’t. It couldn’t reproduce much. The copies were so smudgy, Dittos were grunge before grunge was grunge.

And the smell of the purple ink was incredible. Fruity and chemically at the same time! Tho it turns out ink ingredients – isopropanol and methanol – are toxic substances. Who knew?

Cept for a few high school teachers who were holdouts (‘I don’t trust that newfangled photocopier thing’) all the dittos in my life were gone by end of grade 12.

Snag a tee here.

Images found via They Always Come Back, a tree grows in brookline, Zazzle, Jean&Vic

‘Paul Renner’s Futura interpreted in metal’

Handmade model with engine. Cesar Santos Perez’s final project from my most-recent experimental typography course at Ai Sacramento.

‘What I did on my summer vacation’

Last week, I spent four full days with a handful of some really cool teens.

I found myself saying, ‘Yes, I’ll do it. What is it?’ to teaching a week-long Summer Studio workshop at Ai Sacramento.

I called the whole thing ‘Designer Mashup’ – and set about having my students mix contemporary designers with historical luminaries.

Design history, research, handmade collages, form studies and handing work off to other students (to reinterpret) were part of the process.

Pictured, some of the final pieces.

Designers studied included Paula Scher, Georges Braque, Josef Albers, El Lisstizky, Rick Griffin, Jessica Hische, Raoul Hausmann, Marian Bantjes, Hannah Höch, Alvin Lustig, Shepard Fairey and David Carson.

The original, above. Here’s a short history of the computer mouse.

School children in Quebec are asked to guess what these odd, old technologies may be.

Found via Alice Savoie

Vintage western-influenced Japanese matchbox cover.

Article here.

Video for Pig With The Face Of A Boy’s A Complete History of the Soviet Union as Told by a Humble Worker, Arranged to the Melody of TETRIS. Directed, animated and edited by Chris Lincé.

Sybil Andrews’ Speedway (above) is a linotype print commissioned by the London Passenger Transport Board in 1934 to advertise what was a new spectator sport, Speedway Racing.

The final piece – like the famous ‘keep calm’ poster – was never used for its intended purpose.

Found via Gunther Stephan

The work of Natalya Goncharova (1881-1962).

‘Metzinger celebrated the salutory effects of exercise on the male population in his ‘Cyclist,’ which focused on a sport that historian Eugen Weber has described as a French creation, and one affordable to the French working class by 1900.’ -Mark Antliff, Patricia Leighten

In 1913, Jean Metzinger (1883-1956) created his Cubist Cyclist to depict audience, participant and the interaction involved.

(Been doing a lot of reading on early modern art)

‘Does the venue make the music? From outdoor drumming to Wagnerian operas to arena rock, he explores how context has pushed musical innovation’

Found via Lucy Cook

‘For his thesis, Dong Yoon Park, a Masters student at Parsons, built an iPad app designed to teach pros and novices alike the arcane world of typography.’

Details here.

Found via Taxi

Designing for use is something often overlooked by designers. What happens once the design is in the hands of actual people?

Stewart Brand takes a long look at design AFTER it’s implemented – in this case, the design of buildings. Does ‘form follow function?’

6-part, 3-hour BBC Documentary. Based on Brand’s book. Music by Brian Eno. From 1997.

Posted in its entirety on Google. Part one above. For part two thru six, go here.

‘it took a week to do it’

For anyone who’s taken an intro to typography course with me – there is a fair amount of stippling involved as part of some really complex letterform studies.

And one of my former students – Freya Kiessling – who dotted her way thru letters – has gone national with her work.

Her color Conan O’Brien pointillism illustration (above) was used as a bumper on Conan’s show, April 11, 2011. The drawing was submitted thru their Coco MoCA page (many, many images abound).

And today – per show request – a print hangs in the show’s green room at Warner Bros. in Burbank.

Below, another Freya-produced Conan piece – from a beginning animation class.

Tonite this link just sort of popped in from former student Campbell BrownKorbel. It’s secrets that every creative – from illustrator (the focus) to designer to comedian to (hell) anarchist – should know.

Phil McAndrew’s Super Obvious Secrets That I Wish They’d Teach In Art School. Read the whole thing here.

Dmitriy Antropov’s final project was a Gill Sans maze, hand crafted from foam.

After we tried to actually do the maze (and failed), Dmitriy reached down and carefully removed a small partition – near the bottom of the a – and we were able to complete.

‘escaping the norm’

Just finished up my Friday night beginning type course – and final projects can take any form. Last night, Christopher Gianni-Embrey showed up for class with an old computer monitor.

Inspired by a recent viewing of The Shawshank Redemption, Christopher visualized the word ‘escaping’ using Morris Fuller Benton’s Bank Gothic.

Not on screen, but in screen.

The final piece was Christopher’s first ever attempt at model making. It was crafted from mostly found materials. As he put it, ‘driving around town, there’s a lot of stuff people throw away.’

In the process, he ended up with a bunch of dead computer monitors – just in case the first attempt didn’t pan out.

My next Friday night type course is scheduled for Fall 2011 at American River College. Course number: ARTNM 303.

‘For less than the price of a design textbook, a student can now have a sturdy and contemporary humanist sans serif family that fits pretty much any design application, and will remain useful long after academic studies and well into a professional career in design.’

Gibson is a humanist sans serif honoring designer John Gibson, designed by Rod McDonald and digitized by Patrick Griffin and Kevin King.

And it’s available at student pricing: Eight complete fonts for $48 (that comes out to six bucks a font). With revenues benefiting The Society of Graphic Designers of Canada (GDC).

Details here. Snag it here.

‘Depero Futuristi is a team at Carnegie Mellon University’s Entertainment Technology Center re-imagining Balli Plastici, the ‘plastic dance’ created by Italian Futurist Fortunato Depero in 1918.’

More info here.

Copies of the final project are available for educational/promotional purposes, contact the team for details.

Nicky Bradwell survived my typography and design history classes and is now making music. Each month, he’ll have a new FLAVOR on Soundcloud.

Facebook page here.

MarchFLAVOR by superhumanyouth

TripleRainbowMix by superhumanyouth

‘Say it loudly and proudly!’

‘Japanese artist Isao Hashimoto has created a beautiful, undeniably scary time-lapse map of the 2,053 nuclear explosions which have taken place between 1945 and 1998.’

Over the years, the US has set off over a thousand nukes. Something I never really knew.

Skip thru to the early 1960s and the multiples of blasts end up looking like Christmas lights.

Found via Marian Bantjes

‘I was working on maintaining the quality of Bernhard’s handdone type while taking a new and different approach to it’

Student Lesley Gaesser’s large scale final project from my experimental type course at The Art Institute of California Sacramento.

Lesley did an 11 week study on the work of designer Lucian Bernhard (1883-1972) – which culminated in a final linocut-inspired project.

Bernard’s Antiqua type was traced onto Speedball carving blocks, cut by hand, inked and printed on large sheets of watercolor paper.

My next experimental course begins April 8.

If student hangs roughs low on the wall, one can only critique if lying on the floor; Photo by Daniel Mendez

‘This is an experiment in carving one linocut letter per day in an attempt to complete an entire alphabet by March 31st. Chosen typeface: Champion Gothic by Hoefler & Frere-Jones. Lightweight was chosen based on a deep rooted affection with its ampersand.’

And so concludes Aymie Spitzer’s March of Letters. Blog here. Calendar archive here.

Found via Campbell BrownKorbel

‘Mark Preston discovered early California recipes while cataloging rare books for the UCLA library’

I picked up Mark Preston’s California Mission Cookery at one of the missions lining El Camino Real, somewhere between Santa Clara and San Luis Obispo. Or Santa Barbara. One of them.

The cookbook is all about Californio Cuisine, a long lost Spanish-influenced cooking style using local ingredients. The food of the original missions.

I’ve made the Beef Jerky soup a few times.

Jerky is great for soup, it works like a big, bouillon cube – leading to a strong savory flavor. I’ve noticed, tho, adding some water in the roasting process helps; and a food processor can cut down on grinding time.

‘sopa de carne seca y arroz’
beef jerky soup

ingredients

3 oz. Beef Jerky
1 tbs Cooking Oil
1/2 cup Rice
1 large Tomato, ripe
1 Green Chile, roasted, peeled and chopped
1 medium Onion
1/2 tsp Pepper
Salt
1 Quart Water, boiling

to make

In a non-stick skillet, roast the meat to soften it. In a mortar, preferably a metate, grind the meat to fine shreds. Heat the oil in a stew pot and sauté the rice, tomato, chile and onion. Add salt and pepper. Add the shredded meat and 1 quart of boiling water and simmer until rice is done, 15 to 20 minutes.

variants

For my latest batch, I passed on beef and went with bison; using jerky made from buffalo. I also typically use Basmati rice (adjusting the cooking time as necessary), but this week opted for a ‘Harvest Grains blend’ found at Trader Joe’s – a mix of couscous, orzo, split garbanzos and quinoa. Small multi-colored heirloom tomatoes gave the soup bite. I also added a splash of fire roasted tomatoes.

Recipe source: California Mission Cookery, copyright © 1994 Mark Preston; photos by mehallo

‘Hillbillies, long misunderstood and maligned as isolated and backward, actually have a 300-year history of achievement and success that has contributed significantly to our national identity.’

I caught this doc last year on the History channel.

Hillbilly: The Real Story (2008) – hosted by Billy Ray Cyrus – is a great overview of the ‘Appalachian American’ subculture that brought us moonshine whiskey, labor unions, NASCAR and country music.

Stream Hillbilly here. DVD here.

Pictured up top: An original ‘painter’s piss’ runner, found via theTHROTTLE

related
Also, Hillbilly does a pretty good job of setting the stage for Oscar nominated Ozark kin drama Winter’s Bone (2010). Incredible performance by Jennifer Lawrence, below. Review here.

Former student takes design class. Former student notices my work in his textbook. Sends me an email. Photo, above.

Mike Dunkl spotted my 2003 ‘Make Jobs Not War’ poster in his copy of Design Basics: 8th Edition – with some academic text explaining how my visual works (below). Aside from the pencil illustration, I lifted the gothic type directly from a 1912 American Type Founders specimen book. (The green color means ‘money,’ btw) (And there are two ls in ‘mehallo’)

In 2003, jobs were drying up and we were about to go to war on some really flimsy evidence. I felt I had to say something, so I did. My poster – among others – became available for free download at Another Poster For Peace.

At the time, anti-war statements were not the popular thing. Though for me, it was the right thing to do. When the war started, I was following a young Iraqi’s ‘live from Baghdad’ blog up until he stopped posting. Never knew what happened to him – another innocent lost to history.

I still stand behind my poster. Evidence of why we ended up in Iraq in the first place has turned out to be far more flimsy than imagined  . . .  and today, we’re still at war. And the jobs have simply gone away.

‘Published posthumously in a limited edition of 250, features 142 sets of roman and italic typefaces, a wide selection of borders, ornaments, symbols, and flowers, as well as Greek, Hebrew, Russian, Arabic, Phoenician, Armenian, Coptic and Tibetan alphabets.’

My birthday was last week and to my surprise, my wife got her hands on Taschen’s limited edition reprint of Giambattista Bodoni’s masterwork, his Manuale Tipografico (1818).

Bodoni had almost unlimited funding and resources at his disposal – so the details in his large body of types (he just kept going) is beyond what is seen in most revivals of his work. ITC Bodoni comes damn close, but a lot of Bodoni’s original designs end up on the cutting room floor.

My Jeanne types (named for my wife) have roots in Bodoni – and I used some digital resources to research his Manuale. But it is great to now actually have a print edition in my collection – cause I’m not done with tinkering.