‘Chemins de fer de l’état, Cie. Gle. Transatlantique.’

Vintage travel poster, art by Albert Sébille (1874-1953). More here.

The original Van Halen broke up when I was a senior in high school. And yes, I am an old fan of David Lee Roth, read about it here.

And the reunion no one thought would happen happened and the album no one thought would happen was released yesterday. 28 year wait. The sound harkens back (harkens is the word) to Van Halen I and II – apparently the tracks are based on notes written back around 1975–77ish.

The sound is old – with parts feeling like an odd 1990s solo album Dave put out. Album cover design by SMOG, art directed by Jeri Heiden.

New track: Tattoo, with Dave explaining it here

You Really Got Me acoustic

‘The ads were inspired by Philippe Petit’s 1974 ‘Man on Wire’ act – an illegal tightrope traverse between the Twin Towers – as well as Charles C. Ebbets’ classic 1932 photograph, ‘Construction Workers Lunching on a Crossbeam.”

Green Day – art directed by Yard and photographed by Danny Clinch for (Howard Stern’s favorite designer) John Varvatos, Spring/Summer 2012.

Found via Fashion Indie

The work of Christian Marclay. Monograph here.

Found via This Blog Rules

Found via Heidi Andermack, mashKULTURE

‘Yeah, for the logo the ‘g’ took longer to design than all the other letter forms put together.’ -bb

Former typography student. New band. Custom drawn g.

Brett Berry survived my graphic design courses and recently formed The Tangs with his brother Brandon.

Their debut EP Let It Out can be snagged on iTunes.

Website here, Facebook page here.

The Tangs: Take Me Down

‘I just like the typography, honest.’ -wkd

Found via whatkatiedoes

“Every initiative we pursue,’ starting February 1, reads the press release, ‘will be guided by our core value to treat customers as we would like to be treated — fair and square.”

In just under a year, JCPenney rebrands again. Out is Helvetica, in is Gotham. Also in is a whole new approach to store organization and product pricing.

Brand New article here, press release here.

Changes start tomorrow. Bold design move, bold ad campaign.

‘The graphic images were an instant success when they premiered in bus shelters around the city. San Franciscans loved them. Too much, in fact, as some of the posters were stolen from the shelters.’

Often copied, Michael Schwab’s posters for Golden Gate National Parks. Brand implementation by Rich Silverstein and Jeff Goodby, circa 1993-7.

Case study here. Parks Conservancy store (Schwab’s art on prints, mugs, shirts, chocolate tins and more) here.

‘This poster was created by L.N. Britton circa 1918. It promotes food and resource conservation.’

Many years ago I found a small brochure at the National Archives building in San Bruno, CA. From it I ordered a bunch of inexpensive reproductions of early 20s century posters (pictured) – direct from the government. Framed, they looked great in my first apartment.

Everything is now online. All around 10 bucks a pop.

‘Originator of Type Fashions’

American Type Founders’ complete 1912 specimen book. 1348 pages.

Entire book posted online here.

The industrial revolution changed the size of font offerings. What were once posters or broadsheets from small type foundries, ‘type specimens’ became elaborate volumes – today collected as rare editions.

more
Since 2007, Open Library has been digitizing rare type specimens. Available to read online or as PDF downloads.

I found out about them just this weekend – font specialist Laurence Penney had posted links on his Twitter feed. These are them:

Caslon, 1785
Binney & Ronaldson, 1812
Montreal Type Foundry, 1850
Boston Type Foundry, 1860
Fann Street Foundry, 1874
Cincinnati Type Foundry, 1882
Allison & Smith, 1889
Cleveland Type Foundry, 1895
Inland Type Foundry, 1897
Toronto Type Foundry, 1899
Keystone Type Foundry, 1906
Barnhart Bros. & Spindler 1907

and
One of my favorites, here’s a link to Bauer’s offerings from 1900.

Found via Hoefler+Frere-Jones, Lawrence Penney, Oded Ezer, Nina Stoessinger, Falstaff & Fakir and Kris Sowersby

‘It includes 134 glyphs – both Latin and Cyrillic script plus two different manicules and various arrows’

Crafted by typedepot and available free: Corki is a beautiful condensed slab serif with Tuscan-styling, pointing hands and other extras.

Snag it here.

‘A collection of WPA-era US Travel Bureau Posters as reinterpreted and screen printed by Providence’s Head Light Hotel’

Available thru Tiny Showcase: Reproductions of 1930s ‘See America’ poster art.

So much cooler than the current government-sanctioned offerings of Brand USA, Inc.

‘The ads are hyper-sexual, as fits Equinox and Richardson’s reputation, but Equinox members were pissed off because the models were too thin.’

New ads for Equinox, lensed by Terry Richardson.

Article here, behind the scenes here.

The work of Dominique Fung.

‘With Georgia O’Keefe and Tina Modotti as inspirations, Chiuri & Piccioli looked to create ‘a fantasy setting for a new poetic femininity.”

Maria Grazia Chiuri and Pierpaolo Piccioli’s spring collection for Valentino, photographed by Deborah Turbeville.

Found via Models.com

‘On one occasion, referring to Benguiat as a ‘printer,’ Allen asked him what a good typeface was. Benguiat had an affinity for Windsor and suggested it to him that morning. He’s used it in every film since.’

Woody Allen and the Windsor typeface. Since 1977. Story here.

‘Metric is a geometric humanist, sired by West Berlin street signs’

Metric is Kris Sowersby’s companion type to Calibre. Design info and specimens here. Pictured, Metric Black.

‘Elefans began many years ago as a reimagining of the infamous Gill Sans Kayo. It basically started by asking ‘what if Kayo didn’t suck”

Jackson Cavanaugh’s Elefans typeface. Preview here.

It’s a new year. Let’s move on.

Grimes is Claire Boucher and her new album drops in the US February 21. Details.

Album design by Jasper Baydala with Boucher’s own illustrations. At bottom, Genesis.

Thanks for your reads in 2011. Up next, more boldness. Looking forward.

Pictured is an image from an upcoming project I’ve been working on as of late – which with some luck and spit, should see the light of day in the next few months. Click to view larger. Powered, of course, by Gill Kayo.

‘the story of the rise and fall of Black Horse Disco, a youth club set up in the centre of a large working-class estate in North London’

Knuckle Sandwich. Cover photographed by Red Saunders, a.k.a MC Redman. Powered by Gill Kayo. Details.

The Clash: What’s My Name

Found via The Pelican Blog

Percy Sledge. Powered by Gill Kayo.

Percy Sledge: Any Day Now

Found via Buro Destruct

Kriminal-Serie Kommissar X No. 1281. Powered by Gill Kayo.

Found via mickey the pixel

Kriminal-Serie Kommissar X No. 1168. Powered by Gill Kayo.

Found via mickey the pixel

Logo I created for Normandie, adapted from Gill Kayo.

Follow Gill Kayo on Twitter here.

‘The Swiss firm boldly embraced the face’s strong character, making it the singular voice of the Schauspielhaus, a theatre in Zürich’

The work of Raffinerie – theatre branding using the oft-maligned Gill Kayo typeface.

Detailed article by Stephen Coles here.

The work of Australia-based design firm Toko.

Website here, store here. (Unfortunately, the gill ultra bold. tee is sold out)

Dynascript is the latest font from the great Michael Doret.

Details here, buy it here.

These vintage Santas are just a tad older than me.

Them, with their cartoony script lettering, would grace the table every year – with or without the requisite salt, pepper, for which they were created. Made in Japan.

Below, track from the ultimate 1960s Christmas album.

Ray Conniff: Twelve Days of Christmas

Reading glass case with outlined Helvetica. Genuine 1970s soft plastic.

Some light reading. Graphics designed by the Saul Bass studio.

Found via Spokane7

‘These things are becoming harder to find these days and I wish to have a record of their fine existence.’

Photographs from Sam Platz’s Pay Phone Tribute Album (on Facebook).

‘next door to Cricket’s Cafe off Auburn Blvd  . . .  in Citrus Heights, CA’

Photograph by Ian Webb.

‘This film was made by his company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men’s and women’s uniforms.’

Complete pitch by the master. It’s everything anyone ever wanted to know about how good logos and visual identity systems work. From 1969. Historical details here.

Found via Scott Stowell

‘Watch the definitive documentary on the husband-wife design icons’

A new biography on Charles and Ray Eames is airing on PBS this week. Powerful and unflinching, more than just chairs. Playful optimism, powerful clients, amazing budgets, odd obsessions. Narrated by James Franco, titles feature the incredible Eames fonts.

Watch it online here.

Above, the IBM Pavilion at the 1964 Worlds Fair.

Below, Eames’ complete short film The Information Machine. Commissioned in 1958 by IBM, it was designed to get a fearful population to trust this perceived-dangerous, unknown mechanical variable: Computers!

Typography photograph by Richard Roche/Gentle Pure Space.

More here.

‘from Alphabets 1964, edited by R. S. Hutchings’

Image found by the great Steve Matteson – who was recently interviewed by Mashable.

Poster for the Polish release of Godzilla vs. The Sea Monster (1966).

Found via Hipster Thor

So while I’m still in seafood mode, I should mention my absolute favorite food is Dungeness Crab.

I grew up eating these west coast crustaceans, dusted with Old Bay seasoning, partnered with slabs of sourdough bread. All I need is a small fork and I can get thru the whole thing in under an hour – no cracking necessary. The obsessive trick is to get every single piece out intact – and dip it in melted butter.

Saw this shirt in Old Navy; but alas, not available as a men’s tee.

Not quite Chicken of the Sea, Breast-O’-Chicken was another product designed to confuse Americans about where tuna actually comes from.

From 1954.

Found via retro-ads

Found via Sam Jam

Sainbury’s Fillets of Anchovies. Illustration by Sue Brown.

update
According to Sue, this particular jar was used in this incredible recipe.

Geo. Watkins’ Anchovy Sauce. Illustration by Hwa Young Jung.

Flickr here, website here.

Cole’s – photographed by Heather John. Foodinista post here.

French Dip showdown here. Bunch-o-recipes here.

Typeface: Bang-bang.

‘The rectangles on top of each label represent main ingredients, and bars on the bottom provide a quick thumbs or thumbs down for a breakdown of fat content, carbohydrates, etc. Icons of spoons and scoops are used to supplement serving size since no one knows what 182 grams looks or feels like.’

Above, Renee Walker’s food nutrition label redesign, winner of UC Berkeley School of Journalism’s Rethink the Food Label competition.

Her work was originally part of an interdisciplinary topic studio focused on contemporary health issues; she has her original versions posted here.

Below, a few of my favorites from the competition:

Corinne Pritchard

Fabius Leineweber

Bradley Mu

Found via FlowingData

Tom Edwards’ Caffeine Curve.

Funky mug version available here.