{"id":28958,"date":"2011-08-13T20:42:01","date_gmt":"2011-08-14T03:42:01","guid":{"rendered":"http:\/\/mehallo.com\/blog\/?p=28958"},"modified":"2011-08-13T03:24:42","modified_gmt":"2011-08-13T10:24:42","slug":"dangerous-art-from-calgari-to-hitler","status":"publish","type":"post","link":"http:\/\/mehallo.com\/blog\/archives\/28958","title":{"rendered":"\u2018From Calgari to Hitler’"},"content":{"rendered":"

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\nLudwig Meidner, Apocalyptic Landscape, 1912<\/em><\/p>\n

Images from the Weimar blog post ‘From Calgari to Hitler,’<\/em><\/a> named for Siegfried Kracauer’s book<\/a> on German cinema (1910-40).<\/p>\n

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\nJakob Steinhardt, The City, 1913<\/em><\/p>\n

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\nRobert Wiene, Das Kabinett des Dr. Caligari, 1919<\/em><\/p>\n

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\nOriginal sketch for a scene in The Cabinet of Dr Caligari from Lotte Eisner<\/em><\/p>\n

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\nErich Godal, Die Stra\u00dfe (The Street), 1923<\/em><\/p>\n

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\nLouise Brooks in “Pandora’s Box” (G.W.Pabst, 1929) <\/em><\/p>\n

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\nRudolf Klein Rogge in Lang’s The Testament of Dr. Mabuse, 1933<\/em><\/p>\n

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\nOtto Dix, The Actor Heinrich George, 1933<\/em><\/p>\n

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\nGeorge Grosz, John, the Lady Killer, 1918<\/em><\/p>\n

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\nArt director Erich Kettelhut & crew create the futuristic city set of Metropolis
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\nRaoul Hausmann, Mechanical Head (Spirit of Our Age), c. 1920<\/em><\/p>\n

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\nJohn Martin, Illustration to Paradise Lost, 1825<\/em><\/p>\n

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\nMagnus Zeller, The Orator, 1920<\/em><\/p>\n

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\nLeni Riefenstahl, Triumph of the Will, 1934 <\/em><\/p>\n\r\n\t

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