{"id":24880,"date":"2011-01-16T09:41:34","date_gmt":"2011-01-16T17:41:34","guid":{"rendered":"http:\/\/mehallo.com\/blog\/?p=24880"},"modified":"2011-10-15T14:04:46","modified_gmt":"2011-10-15T21:04:46","slug":"cutting-bembo","status":"publish","type":"post","link":"http:\/\/mehallo.com\/blog\/archives\/24880","title":{"rendered":"Cutting Bembo"},"content":{"rendered":"

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Student Mike Thomas<\/a> went back to basics with his work for my experimental type course. <\/p>\n

As part of an 11-week study, Mike explored types<\/a> created by the originator of italics, Francesco ‘Griffo’ da Bologna<\/a> (1450-1518).<\/p>\n

Mike’s work was produced using a stack of 20 year old, aged paper – and involved media ranging from paint to ink to digital.<\/p>\n

His final project (above) was realized by cutting Griffo’s italic directly out of pieces of lead and creating a ‘soot proof’ of the carved letters. Not quite to spec,<\/a> but challenging nonetheless.<\/p>\n

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