{"id":14716,"date":"2010-03-25T11:43:58","date_gmt":"2010-03-25T18:43:58","guid":{"rendered":"http:\/\/mehallo.com\/blog\/?p=14716"},"modified":"2010-03-25T07:51:43","modified_gmt":"2010-03-25T14:51:43","slug":"the-clarendon-trend","status":"publish","type":"post","link":"http:\/\/mehallo.com\/blog\/archives\/14716","title":{"rendered":"The Clarendon trend"},"content":{"rendered":"

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\nJason Munn<\/em><\/p>\n

Just had a discussion – and major test question – involving 19th Century wonder Clarendon<\/a> in my history class. As a type, Clarendon has been popping up all over the place for a bunch of years now.<\/a><\/p>\n

I use it (paired with Jenson<\/a>) for handouts in my introductory type course at ARC,<\/a> up until recently, it was the corporate font for Starbucks<\/a>  . . .  it just boldly says, read me.<\/strong><\/p>\n

New article (and cool samples) posted by SOTA’s<\/a> Tamye Riggs here.<\/a><\/p>\n

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\nJessica Fleischmann
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\nMadeleine Eiche<\/em><\/p>\n

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\nSimon Dovar and Nils Davey<\/em><\/p>\n\r\n\t

\r\n\t\tTweet<\/a>\r\n\t<\/div>\r\n\t