Words and pictures by Grant Snider.

Years ago Step By Step was a graphic design magazine that showed complex design solutions in a ‘step by step’ process. So was HOW, which broke out HOW things were designed.

Today we assume computers just design everything. Not true. Not everything.

Pictured is the work of Dmitry Karpov. And at Behance, here is the Step by Step breakdown of HOW they were done.

Found via Designcollector Network

‘His most famous title sequences include the animated paper cut-out of a heroin addict’s arm for Preminger’s The Man with the Golden Arm, the credits racing up and down what eventually becomes a high-angle shot of a skyscraper in Hitchcock’s North by Northwest, and the disjointed text that races together and apart in Psycho’

Last night, Google doodled this (above).

Last week in my history class, I presented footage of the original titles that Saul Bass designed that Google doodled this (above) was based on.

Dave Brubeck came along for the ride.

More info here.

Found via Alice Woodruff

Covers for Kenny Burrell’s Blue Lights. Reid Miles, design; Andy Warhol, illustration. Blue Note Records, 1958.

Just because.

As a side project, Irish graphic designers Mark Shanley and Paddy Treacy turned a bunch of client feedback (the bad kind) into a series of posters. They then put them up for sale and ended raising a bunch of money for charity.

Pictured, a few. More here.

Of course, the goal is always to work with clients that know shit. And are willing to go thru a creative process that leads to the best work imaginable. This usually involves understanding that good logos typically involve letterforms (I’ve heard poster #1 before).

Last week I attended TYPO in San Francisco and noticed that my notebook was full. No room for notes.

My solution was the #typo13 hashtag, Twitter, plus big fingers and cranky iPhone. Everything I attended I tweeted, autocorrect had other ideas, TYPO ended up meaning typo.

Typically if I go on a tweeeeting binge like this, I lose ‘followers’ and get bitched out a bit. Instead I ended up meeting some cool people from around the planet.

Sol Kawage lives in South Tyrol, a ‘german speaking region in northern Italy.’ Her tagline on her Twitter account states: ‘Annoying people since 1980.’

Pics are from her blog, cool holdings of a small Museum of Modern Art in the City of Rovereto. More here and here.

Modern Dog recently created this poster for Sunday Rock, a music school in Yekaterinburg, Russia.

And I provided Robynne and Co. some quick Cyrillic type the old fashioned way: Scanned in from early 20th Century sources, pieced together letter by letter.

Four different scripts combined to have similar weight, rough edges, heavy caps. I’ve been doing a bunch of work this way lately – sometimes one has to go back to basics.

And on weathered days (like today) vinyl sounds better than digital.

via Crimes Against Hugh’s Manatees

‘The whole point of animation to me is to tell a story, make a joke, express an idea. The technique itself doesn’t really matter. Whatever works is the thing to use.’

Terry Gilliam on animation. From 1974.

Found via Cartoon Brew

‘The very first rock and roll Music Video. A stop motion film of the Beatles singing ‘I Feel Fine’ drawn by Stephen Verona and hand colored by Verona and John Lennon’

‘Voiced by Canadian legend Gordon Pinsent (Away From Her, Pillars Of The Earth) Typesetter Blues is written in the nonsense poetry tradition of Edward Lear and Shel Silverstein’

Crafted by Toronto-based TOGETHER – part of their silly rhymes series Beastly Bards.

If there were in the world today any large number of people who desired their own happiness more than they desired the unhappiness of others, we could have paradise in a few years. –Bertrand Russell (1872-1970)

Years ago I knew a head general counsel who worked for a legal department for a rather large corporation.

When it came to lawsuits, he explained to me that their approach was they ‘never settled’ and ‘would use all of our resources – millions of dollars at our disposal’ to fight any suit that came in. Whether they were right or wrong. “If they’re going to go up against us, that’s what they’re going to get.’

Years later I sat in on a ‘business ethics’ class where this ethic was explained in detail: ‘it is okay to destroy the competition. That’s good business ethics.’ And throw in that businesses today operate to ‘keep shareholders happy’ over everything else – we live in a very frightening world. One that squashes innovation and creativity in favor of ‘good competition.’

Good competition is fantastic – when the tables are ‘fair and balanced,’ a term – even today – that’s not used for what it actually means. There’s a lot we CAN be doing as a race – in terms of social, political and humanitarian causes – but we don’t. There’s a great scene in An Inconvenient Truth where Al Gore points to an illustration of a pot of gold. It’s our motivation. It’s what we live for. A pot of gold. A shiny pot of gold we can hide from others, shower with, rub on our bodies if it makes us feel better.

the battle
Right now there’s a David v. Goliath lawsuit going on. It seems simple open and shut: Large corporations profit from stolen artwork. So artists who created artwork get a lawyer and take on the corporations.

In this situation, the corporations are our darlings: The fantastically wonderful Disney and the ‘god I love what they do for design’ Target. And I spent an afternoon recently going thru the case files – which are posted at Friends of Modern Dog – and to me it seems it’s another bury the little guy response.

You’d think it would be Urban Outfitters doing this – it IS their modis operandi – but no. It appeares Disney and Target are poised to destroy Seattle’s very own Modern Dog.

Ashamed is not a word I use much. Though I think it applies here: BOTH Disney and Target should be ashamed. They are BOTH corporations that benefit from creative innovation. BOTH should be working WITH Modern Dog, not – as this lawsuit seems to be doing – putting them out of business  . . . 

Friends of Modern Dog website – donations are wholehartedly accepted, even a few bucks will help. Donate here.

bias
I will admit – I am a huge fan of Modern Dog. I can actually remember the first time I ran across their work – back in the early 1990s. I was flipping through a graphic design magazine and saw that there was this cool company in Seattle – tied to Seattle’s burgeoning music scene – that had not one, two or three BUT an entire tabletop covered with LOGOS. They are a creative juggernaut – one innovative piece after another. And in my view one of Seattle’s greatest design resources. I’ll even go so far as to say, they put Seattle on the map for me. I spent my honeymoon in 1995 in Seattle – not because of Modern Dog per se – but because I knew Seattle was cool.

the suit
So if one takes it apart: What it looks like is someone working for Disney thought it would be cool to lift images from Modern Dog’s 20 Years of Poster Art. They used it in a retail piece, a tee-shirt to promote an Ashley Tisdale film. Flip the images, no one will notice (see video up top). Well, someone did notice. And Modern Dog found itself defending their handdrawn illustrations of their own dogs.

What happened next was unexpected, the defendants fired back. Detailed legal jargon is the response. With a huge legal price tag. Modern Dog owners Robynne Raye and Michael Strassburger so far have sold their house to pay for things. Good press is on their side. Robert L. Peters has a great overview here. Though at this point, a settlement doesn’t seem to be in the picture.

the obvious solution
Years ago the Head General Counsel I knew also explained one more thing about business ethics to me: if someone fucks up, they should be responsible. Whoever did this – in whatever relationship to Disney and/or Target – is the plagarist. THEY caused this lawsuit to take place, THEY stole the work. Disney and Target – should do the right thing:

FIRE the plagarist, go after them for legal fees – and SETTLE with Modern Dog.

Disney and Target: It’s the RIGHT THING to do. Pretty sure you can afford this.

You guys are supposed to be doing the RIGHT THING. I remember a whole LOAD of Disney films thrown at me just about this very concept. Why is your legal department thinking otherwise? Especially after such a good PR month where you (Disney) now own STAR WARS because George Lucas thinks you guys are on the up and up. And he turned around and donated your money to education.

how to actually steal from modern dog
So I train graphic designers – on the fine art of inspiration over stealing. It’s a simple concept: using someone else’s artwork without permission is stealing. Getting inspired by others and bringing something new to the table: NOT stealing. Inspiration. In this case, Disney’s artist should have DRAWN THEIR OWN DAMN DOGS. It’s that simple.

Modern Dog inspired something I did recently: a simple logotype (above) for an animal shelter just south east of Seattle (opens January 2013). Since, for me, Seattle/Washington State is Modern Dog territory (a dog reference, of course) I decided to thumb thru Modern Dog’s wares to inspire me on how to approach the ‘dog/cat’ cartoon creature I came up with. Is it a direct copy from them? No. It’s my own thing. Simple, with a touch of empathy that I believe animal shelters need – beyond the ‘heart/paw’ thing most are doing. (And the type is modified Sutro, Jim Parkinson’s wonderful humanist slab serif.)

Dogs are cool. Modern Dog is cool. Be inspired by them. And help them – they need a few bucks. Donate here.

‘Cieślewicz always compared himself to a journalist; but he referred to himself as a visual journalist. So Graphic designer, as a profession, is very close to that of journalism; except that it is about articulating clear ideas through the justaposition of imagery and layout – it’s a question of wanting to say something.’ –Professor Andrezej Klimowski, Royal College of Art

Above, a BBC overview of the work of Roman Cieślewicz (1930–96), which was part of a retrospective this summer at the Royal College of Art in London.

Click image to view video/jump.

Found via BBC News

As an educator, I’ve broken graphic design into three components: Message, Typography, Layout.

I’m not the first educator to do this – just happened to constantly notice these three elements staring back at me in all the student pieces I evaluate. In my opinion, careful appreciation, understanding and implementation of the three can lead to beautiful work.

message
Graphic design is a communication field, so Message should always drive the project. Today we are bombarded by thousands of Messages on a daily basis, so being on Message is critical. And yes, this usually involves language and writing – which is why I love when students take their written studies seriously.

typography
I’ve seen an (often not cited/supported) statistic that graphic design is 95% typography. Scientific or not, I agree with this. Type is important. I like comparing the exploration of lettering to that of music – there’s enough complexity for it to become a lifetime endeavor. And most of what I teach is type, from multiple angles.

form
Graphic designers are taught to use grids for layout – though relying on ‘grid’ as a catch all way of handling form can be misleading. Grids provide support, a fallback position for dealing with massive amounts of information. Though important, grids have their limitations. Building structure using symmetry, asymmetry, balance, color – some elements obvious, some not – involves continuous practice, a trained eye, instinct.

These three are not formulas, can’t be added together. They need to work in tandem, like cooking a great stew where the ingredients are based on what feels just right.

Click to view/jump

On a related note, the above film – Edward Tufte’s Ingre Druckrey: Teaching to See – found its way into my Twitter feed. It’s about graphic design and beauty. And much more.

In January I’m going to be teaching my first non-type course on Form and Space. I’m starting prep now because I consider form so important – so powerful, so delicate.

And beautiful when done right.

Video found via ayana baltrip

‘annular solar eclipse and pleiades alignment tonight. frequency shift. reset.’

Found via Jes Cellophane

Simone Massoni’s Chicks & Types calendar, still available here.

The work of photographer Aleksey Kozlov and designer Marina Khiebnikova.

Found via No Ones Nemesis

The work of Michael Shapcott.

Cover art by Pedro Henrique Ferreira for Tokyo Savannah.

The work of Heather Perry.

Found via All the World Will be Grand

Found via Tumblrov

Beautiful short by Anne Labadie.

‘Chemins de fer de l’état, Cie. Gle. Transatlantique.’

Vintage travel poster, art by Albert Sébille (1874-1953). More here.

The original Van Halen broke up when I was a senior in high school. And yes, I am an old fan of David Lee Roth, read about it here.

And the reunion no one thought would happen happened and the album no one thought would happen was released yesterday. 28 year wait. The sound harkens back (harkens is the word) to Van Halen I and II – apparently the tracks are based on notes written back around 1975–77ish.

The sound is old – with parts feeling like an odd 1990s solo album Dave put out. Album cover design by SMOG, art directed by Jeri Heiden.

New track: Tattoo, with Dave explaining it here

You Really Got Me acoustic

And an update: Dave’s been posting new videos on Vimeo all week. Love the ‘recreational director’ discourse and this one about his dogs.

What exactly are our priorities today?

The work of Alex Cherry.

‘The graphic images were an instant success when they premiered in bus shelters around the city. San Franciscans loved them. Too much, in fact, as some of the posters were stolen from the shelters.’

Often copied, Michael Schwab’s posters for Golden Gate National Parks. Brand implementation by Rich Silverstein and Jeff Goodby, circa 1993-7.

Case study here. Parks Conservancy store (Schwab’s art on prints, mugs, shirts, chocolate tins and more) here.

‘This poster was created by L.N. Britton circa 1918. It promotes food and resource conservation.’

Many years ago I found a small brochure at the National Archives building in San Bruno, CA. From it I ordered a bunch of inexpensive reproductions of early 20s century posters (pictured) – direct from the government. Framed, they looked great in my first apartment.

Everything is now online. All around 10 bucks a pop.

‘A collection of WPA-era US Travel Bureau Posters as reinterpreted and screen printed by Providence’s Head Light Hotel’

Available thru Tiny Showcase: Reproductions of 1930s ‘See America’ poster art.

So much cooler than the current government-sanctioned offerings of Brand USA, Inc.

The work of Erin Flannery.

Found via Curvy

The work of Dominique Fung.

The work of comic artist Fung Chin Pang.

Found via Cgunit

It’s a new year. Let’s move on.

Grimes is Claire Boucher and her new album drops in the US February 21. Details.

Album design by Jasper Baydala with Boucher’s own illustrations. At bottom, Genesis.

Kriminal-Serie Kommissar X No. 1281. Powered by Gill Kayo.

Found via mickey the pixel

Kriminal-Serie Kommissar X No. 1168. Powered by Gill Kayo.

Found via mickey the pixel

The work of Drake Brodahl.

Sainbury’s Fillets of Anchovies. Illustration by Sue Brown.

update
According to Sue, this particular jar was used in this incredible recipe.

Geo. Watkins’ Anchovy Sauce. Illustration by Hwa Young Jung.

Flickr here, website here.

Typeface: Bang-bang.

Tom Edwards’ Caffeine Curve.

Funky mug version available here.

Odd Todd’s now iconic Coff-ay mug.

Snag it here.

Plaid Creative’s Citizen’s Guide to coffee.

Found via That’s Nerdalicious!

Lokesh Dhakar’s illustrated guide to espresso.

One of these days I’m gonna make it up to Seattle and visit bauhaus books + coffee. Just because I have to.

And available now thru them is the Bauhaus + I Want You shirt, designed by Christian Petersen of DUMB EYES – as a cross promotion with I Want You magazine.

This includes the one pictured above (in its travel option); as well as my best-selling Font Me Typography mug, below.

Input code HOLIDAYSALE4 at checkout. Plus, free shipping on orders over $50. Visit my store here. Zazzle has a new special every day for the holidays, some limitations apply (of course).

The work of Sophie Griotto.

Found via Arlene Time

The work of Jerry Seguin.

Found via Ashley Simko

I love canning stuff. And it’s getting to be the time of year to cram some stuff into bottles.

Pictured, logo design by Roger Estes for Marisa McClellan’s Food in Jars blog.

An image from long ago. The reality is much different today.

Graphic found via Laura Serra

‘And so was born the ‘shop-at-a-glance’ concept’

An ill-fated design experiment from 1965: Ralphs remodeled with departmentalized, color-coded graphic icons. Article here.

I use a lot of color coding in my own work – but with the assumption that the end user will need other organizational tools to find their way around. ‘Shop-at-a-glance’ never quite caught on; tho I’d love to see what data Ralphs collected as part of their process.

Found via Pleasant Family Shopping

‘Great design. Straight from designers.’

Here’s some picks from the Supermarket this year.