‘This film was made by his company as a presentation to AT&T executives. It would have extended to be shown to the public, but a number of his ideas in the film were not ultimately adopted, like his phone booth designs, and men’s and women’s uniforms.’
Complete pitch by the master. It’s everything anyone ever wanted to know about how good logos and visual identity systems work. From 1969. Historical details here.
Found via Scott Stowell
‘Watch the definitive documentary on the husband-wife design icons’
A new biography on Charles and Ray Eames is airing on PBS this week. Powerful and unflinching, more than just chairs. Playful optimism, powerful clients, amazing budgets, odd obsessions. Narrated by James Franco, titles feature the incredible Eames fonts.
Watch it online here.
Above, the IBM Pavilion at the 1964 Worlds Fair.
Below, Eames’ complete short film The Information Machine. Commissioned in 1958 by IBM, it was designed to get a fearful population to trust this perceived-dangerous, unknown mechanical variable: Computers!
‘In an effort to win Cully & Sully’s Cheffactor, a cooking competition in Ireland, Alan Travers created the Stop-Motion Biscuit Cake video of his girlfriend Dee’s legendary chocolate biscuit cake’
Found via Laughing Squid
‘the terror of suffocating to death in a closet’
May visit a few stores today just as a behavioral study.
Title card and trailer for Black Friday (1940).
Found via nineteenfortyone
Audrey Marnay photographed by Mikael Jansson for Longchamp, Fall 2011.
Interactive video trip below.
More posters from my room.
In early 1977, Marine World Africa USA was giving away these Coca-Cola promo posters. Their elephants were used in the first Star Wars movie as the banthas – and I ended up with some free wall hangings.
Knew nothing about the movie and I knew nothing about droids, the old guy with the Jesus circles around his head or why something was called a ‘SEE-THREEPIO.’ Also thought Chewbacca the Bear seemed a bit odd.
A few months later, went to the drive in and saw Star Wars. The previous year, saw Logan’s Run at the drive in. Star Wars was something much different.
In 1977, this poster hung on my bedroom closet door – and was eventually eaten up by use of that same door.
It came as an extra large ‘freebie’ in the Star Wars soundtrack, which I bought thinking it was this album. It wasn’t. It was the symphonic score; for me, an introduction to classical music. What I learned from the free poster – as a young impressionable creative – is abstraction, when done right, looks great.
It was painted by artist John Berkey - who used quick brush strokes that up close were a gloopy mess, but at a distance create energy and implied motion.
Berkey’s work influences me to this day.
And for my iTunes-loaded tracks of the Star Wars radio program, I’m using some of his art as my ‘album covers,’ below.
As for Star Wars’ ‘terrible lizards,’ these are them.
Poster found via KlaatuCarpenter
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